About Mattia
Mattia Casalegno is an installation artist and live media performer exploring issues of perception, intimacy and synaestetic performativity. His work, ranging from (a)sensorial devices, interactive environments, audiovisual live sets and public installations, is been extensively exhibited around the world. He’s represented by the belgian Cimatics agency and writes regularly about art and digital technologies on the online magazine Digicult.
http://www.mattiacasalegno.net
Current city: Los Angeles
Mattia Casalegno is an installation artist and live media performer exploring issues of perception, intimacy and synaestetic performativity. His work, ranging from (a)sensorial devices, interactive environments, audiovisual live sets and public installations, is been extensively exhibited around the world. He’s represented by the belgian Cimatics agency and writes regularly about art and digital technologies on the online magazine Digicult.
 
Buche and cabeza the best.
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Robert Irwin spent 4 years designing what he called "a sculpture in the form of a garden, which aims to be art". More than 500 varieties of plant material are used, and the selection is always changing, as testaments of what Irwin itself said: "art doesn't reside in the object but in the moment."
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The Day of Death is one of the most amazing experience you can get from a city like LA. Every year, during the week-end of Halloween, the Hollywood Cemetery becames the stage of the most candid and beautiful celebration of life and death I ever seen.
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LA wouldn't be LA without its Freeways. The Golden State Freeway is one of the most familiar places I have. It's my studio, living room, and kitchen all togheter. I can eat a sandwich, make phone calls and check my emails on the go, and even read the newspaper when it's jammed, basically all the time.
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Salton Sea is not technically LA, but is a by-product of its history and my first-choice escape from the city: one of the world's largest inland seas and lowest spots on earth, a man-made lake in the midst of the Colorado desert, a resort area in the twenties turned in one of the worst ecological disaster of the past century.
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More People in Los Angeles 167

Stacey Rozich is an artist, illustrator and occasional muralist. She constructs situational vignettes that combine elements of folklore, surrealism and American pop culture. Her storybook world is brought to life through lush patterning and symbolism rendered in watercolor and gouache. She was born and raised in Seattle and now resides in Los Angeles.
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Painter living and working in Downtown Los Angeles 
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Modern Desert Magic.  Surreal Minimalism.
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Malerie Marder grew up in Rochester, NY and studied at Bard College completing a B.A. in History and Art. She received her M.F.A. from Yale University where she was awarded the Schickle-Collingwood Prize and The John Ferguson Weir Award. Her solo exhibitions include Leslie Tonkonow Artworks + Projects, Salon 94 and Greenberg Van Doren in New York; Blain|Southern, Maureen Paley, and The Photographer’s Gallery in London; Galerie Gabriel Rolt, Amsterdam. International group exhibitions include Everyday Epiphanies: Photography and Daily Life Since 1969, The Metropolitan Museum of Art, New York; Desire, Gagosian Gallery and Deitch Projects, The Moore Building, Art Basel, Miami; The Naked Face, National Gallery of Victoria,Melbourne; Shoot the Family, ICI, New York; Sight/Insight, Concoran Gallery of Art, Washington, D.C.; the 2004 California Biennial, Orange County Museum of Art; and Blackbox, Edinburgh College of Art in collaboration with the Edinburgh Film Festival. Her work is in the permanent collections of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York, the National Gallery of Art, the American University Museum and the Concoran Gallery of Art in Washington, DC, the National Gallery of Victoria, Melbourne, The Seattle Art Museum, and the Hessel Museum of Art at Bard College, amongst others. She is represented by Leslie Tonkonow Artworks + Projects, New York.
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