Theresa Meiying Liu is a Chinese-American born and raised in Los Angeles, California. She’s currently observing and documenting the in-between spaces of her hometown.
I grew up a few blocks from the "New Bev", the oldest revival house in Los Angeles. I was there every week in High School and watched everything from Deep End to Wings of Desire. It's no wonder I departed from mainstream cinema, early on. One night towards the end of High School, I went to see a film and wound up talking to this loud and wacky man who told me he had a film coming out called "Reservoir Dogs". Now he now is part owner. These days I go to the New Beverly for their Midnight movies and even had the chance to screen my own film there which was one of the greatest feelings in the world.
There is absolutely no reason to go to this museum, which is the very reason why you should go! If you're stuck on run-of-the-mill, socially-relevant, highly-educational museum experiences, then Chuck E. Cheese would be more enlightening, but if your idea of a good afternoon is sifting through hand-made treasures at an alzheimer patients rummage sale, then I've got your spot! It's very small, dimly lit, and not many of the displays actually function, but it does encapsulate a very distinct, random, getting-away-with-it spirit, which courses through the finest of Los Angelenos.
Designed by Eric Owen Moss, and surrounded by a series of his projects, this is definitely a must see. As an architect I can appreciate the details, the challenges and the effort that went into this project.