Benjamin Critton is an American designer, art director, typographer, publisher, writer, editor and curator. He lives in Brooklyn, New York, where he makes graphic design from a studio in a neighborhood called Greenpoint. Before moving to New York, he attended the Yale School of Art. Before that, he went to Hamilton College. Before that, he went to William H. Hall High School. Before that, he went to King Philip Middle School. Before that, he went to Morley Elementary School. Before that, he went to Knight Hall Nursery School.

Jade Doskow is a photographer and professor based out of Brooklyn, New York. She shoots with a large-format technical camera and is especially drawn to antiquated utopian architecture. Recent projects include an investigation of the remaining sites and structures of world's fair sites internationally. Jade is a contributing photography blogger for the Huffington Post. She has her MFA in photography from the School of Visual Arts in New York and is represented by Wall Space Gallery in Santa Barbara, California. She lives and works out of Red Hook, Brooklyn, with her husband, the painter Lambert Fernando and their son Benjamin.

Artist & Jeweler

I'm a self-taught filmmaker, photographer and writer. I aim to bring forth cultural awareness through captivating visuals and storytelling. Passionate about traveling and documenting the lives of others from around the globe, curating my experiences through various styles and mediums to shine a light on a multitude of background identities.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.