Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Patrick Jacobs lives and works in Brooklyn, New York. He studied art at the School of the Art Institute of Chicago and is represented by Pierogi Gallery in Williamsburg, Brooklyn. His work, including sculpture, photography and video, is often characterized by a kind of pseudo-science or homespun natural phenomena. "When one settles down to a new home, they immediately set out to discover those things which captivate and hold meaning for them. I moved to Brooklyn, New York in 1999 and twelve years later, I'm still writing my own personal travel guide of the city's unlimited attractions and temptations."

Aya is a designer, and artist from Tokyo, Japan, based in NYC, sometime Europe. Her work was featured by Vogue Magazine UK, Maison&Objet Paris, New York Times, IDEAT, TL mag, Domus, AIGA Eyes on Design, Adobe creative jams and more. She was selected one of four new designers 2017 in Salone del mobile Satelite Milan design week '17 by Luxos Magazine. From ages 3 to 18 she studied classical violin; this early and extensive study of music continues to be a big influence on her process. Her work was a finalist for addition to the permanent collection of the Cranbrook Art Museum and the Stedelijk Museum. Winner of  “Best new talent designer '2016” at the DMY Berlin International Design Festival. Silver medal at A'Design Award 2017. You can find her projects in several countries such as: Tokyo Japan, Eindhoven Netherlans, Berlin Germany, Paris France, Milan Italy, Oslo Norway, Sweden, and NYC, Boston, Chicago in USA.

Designer/Art Director based in New York City.

Agnes Thor (b.1986) is a photographer and artist of Swedish heritage, now living and working in New York City. Her work has been exhibited worldwide and Mörel Books in UK published her debut book Aurora Borealis in 2010.