My work is an ongoing exploration across media, ranges from performance, drawing, painting, and photography. In my artistic practice, I contemplate about the role of materials,  various media, the body, and performative elements in the process of mark making gestures. I am interested in expressing ideas about how the notion of identity, displacement, and memory are held in the body.  I develop performative methods that break down boundaries between various disciplines. Through Inter-media performative practice, I incorporate the body as a material, object, and subject. I utilize the camera as a tool to capture and record my studio and staged performances, as well as activating time, space and light with body movement.
  I'm interested in the complexity of performative documentation, and the potential of both traditional and new advanced media in these representations. 

Corriette Schoenaerts is an artist who works primarily with photography. She works in the fields of autonomous, fashion and commercial photography refusing to draw any finite distinctions between these fields.

An artist working primarily in photography, Laura Letinsky’s ideas and work are formed through a perspective that avails, perhaps insists upon, a particular kind of attention to the act of looking and of picturing. While materially different, in her photographic work, as with materials including porcelain and textiles, she wrangles with the personal and the intimate as it is visually, experientially, and quantitatively defined- and thus, confined-- by the social and the public. Along with making and thinking about art, teaching, designing (clothes, household items), growing (mostly vegetables), endorphins (running), and being a mom, she wonders what to eat for dinner tonight. A Professor at the University of Chicago since 1994, she’s received numerous awards including, recently, the Canada Council International Residency, Kunstlerhaus Bethanien, Berlin. She's numerous publications including six monographs, her most recent book is Time's Assignation, Radius Books, 2017.

Sean Pecknold is a film director and stop-motion artist who has created music videos and commercials for the likes of Fleet Foxes, Grizzly Bear, BBC and the New York Times. He explores existential conundrums in his work, often using mystical or surreal imagery and stop-motion and mixed-media animation. On the road is where he feels the most at home. He grew up in Seattle, spent some time living in New York, and now lives in Los Angeles. He runs Sing-Sing studio in Los Angeles with Adi Goodrich.

I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium.