Helping people and brands talking their feelings through art.

Born in London, UK 1987, and having grown up in Dubai U.A.E, Sara Naim is of Syrian origin. She moved back to study at Chelsea College of Art and Design and completed her BA Photography from London College of Communication (2010). Directly after, Sara moved to New York to intern for Ryan McGinley, and since, has worked with photographers Peter Funch, Diana Scheunemann and Lyndsy Welgos. Sara Naim has been in exhibitions in London, Dubai, Germany, New York City, and Guernsey, and has been featured on Vice, Dazed Digital, Dossier Journal, FFFFound, The Guardian, and Fast Company.  Sara currently lives and works in Dubai.

Illustrator/Artist based in Berlin

COLOR / STORY Brandi Katherine Herrera is a multidisciplinary artist, poet, and translator, whose work in text, image, and sound explores the poetics of space. She is the author of Mutterfarbe, a full-length work of color theory, experimental translation, photography, and poems using Johann Wolfgang von Goethe’s Zur Farbenlehre as a primary source; and Natürlicher, a chapbook-length work of color theory, experimental translation, and poems (both Broken Cloud Press, 2016); a co-author of MAR, a collaborative artist book + limited-edition chapbook of photography, marrings, and poems (Lute & Cleat, 2018); and the co-editor of The Lake Rises, a Witness Post Series anthology of poems (Stockport Flats, 2013). Her work is held in the Seattle Art Museum’s permanent collection, Yale University’s Faber Birren Collection of Books on Color, UCLA’s Louise M. Darling Library, University at Buffalo’s Poetry Collection, and Reed College’s Special Collections & Archives, and has been featured in a number of solo + group exhibitions, performance series, and publications, including: the Seattle Art Museum, Cube Gallery, 23 Sandy Gallery, Creative Mornings, Poetry Press Week, Pure Surface, The Volta, Octopus Magazine, The Common, Poor Claudia, Word/For Word, Thru Magazine, Borderlands Texas Poetry Review, and Womenspeak PDX.

Matthew Brandt (b. 1982, Los Angeles) received his BFA from Cooper Union in 2004 and MFA from the University of California Los Angeles (UCLA) in 2008. Interested in physicality, process and landscape, Brandt’s ability to stretch the readings of an image, multiplying them both physically and conceptually, speaks directly to his interest in how images loom and meanings shift within a shared visual history. His work is the clever manifestation of a photographic alchemist, satisfying the urge for the tangible, and grounding us in the present. Brandt’s precocious talent has landed him in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Armand Hammer Museum (Los Angeles) and the Elton John Collection. He currently lives and works in Los Angeles.