Orly Anan is a visual artist and set designer interested in the intersection between ritual and contemporary art. Her research has led her to explore the traditions of various countries, The work of Orly Anan is born of the mysticism implicated in everyday life, in which spirituality is defined as the consciousness of the energy that unites and interweaves everything. She decontextualizes objects as an act of awareness, exchange, and feedback, giving rise to a highly personal aesthetic. She focuses mainly on scenography and space intervention, using everyday objects as tools of exploration.

Alistair Hall is an award-winning graphic designer based in London. He set up his design studio, We Made This, in 2004, and specialises in thoughtful, simple, beautiful graphic design for print. He has made work with clients including Penguin Books, Historic Royal Palaces, Jeremy Tankard Typography, the National Trust and John Lewis.  Alistair is also a co-founder and art director of the children’s literacy charity Ministry of Stories, and its fantastical shop, Hoxton Street Monster Supplies. Alistair has been writing about design and visual culture at wemadethis.co.uk/blog for over ten years. He also teaches at Central Saint Martins and The Sir John Cass School of Art, Architecture and Design; and has given talks about his practice across the UK and overseas. He’s currently researching a book about London’s street nameplates.

Art Director based in Brooklyn

Graphic Designer & Illustrator from Belgium, Brussels.

Claudia Rafael is an Art Director and Digital Artist. She specializes in the intuitive development of unique visual solutions in the field of music, fashion, art and culture and provides highly recognizable visual communication for individuals and institutions on projects varying in scale and complexity. Her work as a digital artist focuses on issues of technology, extended and mixed realities. Rafael is interested in investigating how, "digitalism forms new aesthetics" related to nature, art and popular culture. She advocates for an emancipatory use of digital tools like AR that can transcend prevailing social norms on beauty through offering alternative possibilities of (self)imagination to everyone — not only for the virtual but ultimately in the physical world.