Tenderly covered in snow is oskar kokoschka, the artist that gives name to the square from which you enter the university, it is not out of patriotisme or for promotion that I list this institution here, but for viennas art and creative scene this is a center in its own rights. You can come and visit one of the many different applied art classes, with a little self esteem use most of the facilities, drink a coffe that is cheap and surprisingly good in the mensa or get yourself the cheapest automat-can beer for 90 cents. There are various talks in english if you look for them and in summer there is a good chance you will find a barbecue party in the garden or a film screening. If none of this is the case, there is always a chance to meet people, find a gallery to go to at night, or a room to rent. the library and the magazine reading room are free and well equipped with a great selection of avantgarde cinema, that can be watched on computers.

There is one thing finally that is good about vienna’s small size, to reach the river danube and its two side arms in summer, when its boiling hot, takes only few minutes. All the life is transferred from the center to the river banks, swim and barbecue in summer, ice skating in winter. If you exit the subway at Neue Donau station you will see the small tower of viennas biggest mosque that is located on the danube island. You can go there and visit, if you are lucky, you will be offered dryed figues and dates and you can watch the prayers repose themselves lying on mattrasses in the cool.

The edges of Vienna are striped with forested roads that canopy villas between the trees. One such 'mini palais' belonged to the famous Austrian architect and urban planner, Otto Wagner. To know Vienna, is to recognize the hand of Otto Wagner virtually everywhere in the city. His own self designed family residence would perhaps have been demolished or forgotten had it not been acquired from certain desertion by the artist Ernst Fuchs in 1972. Now pause, and imagine what would happen if a renowned founder of the Viennese school of Fantastic Realism happened to possess such a historical Jugendstil gem; and then decided to outfit it completely with his own imagination, while still maintaining the original visual emotion of the late 19th century. That is The Ernst Fuchs Museum. Even from the street, beneath its' awning of green, the bombastic entrance demands more than a glance. The interior is no less nor different. (The place is so trippy that even my tripped out kids tripped out in the most beautiful way). It's a haze of opulent romanticism married to parasomnia and aesthetic wonder. Simply put, it's a dream.

Smartly curated and art savvy, Mauve has been putting together reliably excellent shows with a focus on contemporary painting since 2012. Mauve’s bar features a neon cactus, a choice of favourite drinks and a crowd of artists in their natural habitat.

Sous bois doubles up as a graphic designer’s office for its owner and is a candy-coloured materialisation of her playful aesthetics and enthusiasm for all things stationary. In summer, the parking place in front of the shop becomes a tropical-themed paradise for bookbinding and typographic workshops.