Sous bois doubles up as a graphic designer’s office for its owner and is a candy-coloured materialisation of her playful aesthetics and enthusiasm for all things stationary. In summer, the parking place in front of the shop becomes a tropical-themed paradise for bookbinding and typographic workshops.

One of the biggest parks in the inner city. When I was small, everyone would tell me never to go there, for it was considered the drugs-park of vienna. growing up I realised that it was mere exageration and this beautiful park became my favourite. there is the vienna river running right next to it, for sure it is not the cleanest, but for me it gives an amazing element of urbanity to the whole area. The river is loosing itself in a dark viaduct-like opening, and saga has it that in this tunnels at other times rave partys would take place. the park itself is beautiful, sourrounded by the city, with the fabulously hideous hotel intercontinental building, and the marble statues leading along the river, that changes it size seemingly daily, according to the weather, next to it you find one of vienna’s most beautiful cinemas, the gartenbaukino, as well as nice cafes, my favorite being the “das kleine cafe”. a wonderful experience is limited to summertime and made me often take the long way round when returning late night: you will find yourself in the middle of all kinds of animals lively running about, 5 hedgehogs, 7 rats, 12 ducks, one badger, mice and a heron. I love to find them there crossing the park.

A newcomer to the Vienna art scene, GOMO bravely takes on a relatively art-unpopulated area near the main train station. Exhibition and performance program revolves around a distinctive aesthetics of the space (an old garage) and a large yard with plenty of greenery is used extensively and with gusto in all seasons.

The edges of Vienna are striped with forested roads that canopy villas between the trees. One such 'mini palais' belonged to the famous Austrian architect and urban planner, Otto Wagner. To know Vienna, is to recognize the hand of Otto Wagner virtually everywhere in the city. His own self designed family residence would perhaps have been demolished or forgotten had it not been acquired from certain desertion by the artist Ernst Fuchs in 1972. Now pause, and imagine what would happen if a renowned founder of the Viennese school of Fantastic Realism happened to possess such a historical Jugendstil gem; and then decided to outfit it completely with his own imagination, while still maintaining the original visual emotion of the late 19th century. That is The Ernst Fuchs Museum. Even from the street, beneath its' awning of green, the bombastic entrance demands more than a glance. The interior is no less nor different. (The place is so trippy that even my tripped out kids tripped out in the most beautiful way). It's a haze of opulent romanticism married to parasomnia and aesthetic wonder. Simply put, it's a dream.

The Werkbundsiedlung in Vienna is one of those places where you can study how people (aka famous architects) in the past imagined the “modern way of living”. While walking through this housing estate you can soak up the unique atmosphere of something that is both historic and thought-provoking for the future at the same time. (Photo: Bwag/Wikimedia)