Designer & Director

Will Anderson is a BAFTA winning Writer/Director from the Scottish Highlands. Will’s first short film ‘The Making of Longbird’ won over 30 awards internationally at film festivals & received a British Academy Award in 2013. Since then he has written and directed other shorts films including ‘Monkey Love Experiments’ with co-director, Ainslie Henderson, and is currently in production on his first feature project. Will also works as a freelance writer, director & animator on film, television, web & interactive projects.

Matt Black is a director and visual artist. He directed short films with the like of Rinko Kikuchi and Paz de La Huerta. He has worked in fashion for the past 15 years with clients such as Dior, Jil Sander and Louis Vuitton. His photography has been published in i-D magazine, Vogue Paris or V... He's currently directing a series of interviews for Nowness featuring artists such as Damien Hirst or Banks Violette. He has created a distinct style mixing influences from high fashion, street culture and cinema. Matt black grew up in Paris and is based in NYC.

Malerie Marder grew up in Rochester, NY and studied at Bard College completing a B.A. in History and Art. She received her M.F.A. from Yale University where she was awarded the Schickle-Collingwood Prize and The John Ferguson Weir Award. Her solo exhibitions include Leslie Tonkonow Artworks + Projects, Salon 94 and Greenberg Van Doren in New York; Blain|Southern, Maureen Paley, and The Photographer’s Gallery in London; Galerie Gabriel Rolt, Amsterdam. International group exhibitions include Everyday Epiphanies: Photography and Daily Life Since 1969, The Metropolitan Museum of Art, New York; Desire, Gagosian Gallery and Deitch Projects, The Moore Building, Art Basel, Miami; The Naked Face, National Gallery of Victoria,Melbourne; Shoot the Family, ICI, New York; Sight/Insight, Concoran Gallery of Art, Washington, D.C.; the 2004 California Biennial, Orange County Museum of Art; and Blackbox, Edinburgh College of Art in collaboration with the Edinburgh Film Festival. Her work is in the permanent collections of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York, the National Gallery of Art, the American University Museum and the Concoran Gallery of Art in Washington, DC, the National Gallery of Victoria, Melbourne, The Seattle Art Museum, and the Hessel Museum of Art at Bard College, amongst others. She is represented by Leslie Tonkonow Artworks + Projects, New York.

Throughout my practice, there is a propensity to capture an exact unit of time: a tear about to drop off a face, a swimmer’s cheek momentarily skimming the water, a point of suspension in a pas de deux. Time is my main interest. I think every artistic medium uses time in a different way. This is reflected in my preference for shooting with analogue film and producing hand-made prints, making each one the product of an intimate, time-consuming process. I like to create feeling in my photographs. Tactile, sensorial and often sensual, my work surges with human connection.