Born in a working-class family in Sao Paulo, Brazil. In 2003, Jorge Camarotti moved to Montreal, where he pursued a career as a professional photographer and then as filmmaker. Since his beginnings in filmmaking 10 years ago, Jorge has directed more than a dozen short films, both documentary and fiction, always remaining true to giving voice to the most aggrieved individuals of our society. Jorge wrote and directed Kinship (2019), which was selected in many reputable film festivals such as Palm Springs International, Maryland, Clermont-Ferrand, and Regard which received a nomination at the 2020 Canadian Screen Awards for Best Live-Action. His most recent project Ousmane had its world premiere at TIFF 2021 followed by an international premiere at the prestigious Clermont-Ferrand festival in 2022, and earned the director a second nomination for Best Live-Action at the Canadian Screen Awards 2022. Ousmane has accumulated more than 50 official selections in film festivals around the world, receiving more than 10 awards, including Best Narrative short at Aspen International Film Festival and a Grand-Prize at Indy Shorts, both Academy Awards qualifying festivals. Besides working as a mentor for aspiring BIPOC filmmakers, Jorge is now working on his first feature film, Edith. Edith was selected at the highly regarded TIFF Labs for development in 2021.

Film and video games

At the intersection of fashion, photography, film, stagecraft, and design, artist Marina Fini creates hallucinatory, alternative worlds. Based in California, she collaborates with friends and artists alike in the staging of these otherworldly scenes, using colorful costumes and her own handmade, plexiglass jewelry to turn her photographic subjects into ethereal cyber goddesses. When asked how she builds these characters, Fini remarked, “there’s something about transforming someone into someone they wouldn’t normally be … that is, creating an extension of themselves that I see in them.” All of her characters exude a captivating power, like the whimsical and intangible figures seen through a psychedelic dream. By exploring alternative selves in familiar contexts – a convenience store, or the Californian seaside, for example – Fini explores how subjecthood is fluid, and how such creative “shape-shifting” can alter the way we perceive our immediate reality.

Brazilian Artist, 27 years old. 

Photographer and Filmmaker based in Europe