About Jacob
I am a filmmaker and photographer from London. In 2009 I exhibited my reportage America project 88 Days at Bloomsbury’s Orange Dot Gallery. Having recently finished a 35mm 15-minute short, I am now writing a feature film. I am also currently organising my next photographic exhibition, Sweet India, which I made last summer.
http://www.jacobperlmutter.com
Current city: London
I am a filmmaker and photographer from London. In 2009 I exhibited my reportage America project 88 Days at Bloomsbury’s Orange Dot Gallery. Having recently finished a 35mm 15-minute short, I am now writing a feature film. I am also currently organising my next photographic exhibition, Sweet India, which I made last summer.
 
Sit. Drink coffee. Buy Leica. Leave penniless.
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Not been in many years, but spent a large part of my childhood watching people row and sail back and forth. It freezes over in winter and in February 1893, Jack Selby drove a coach and four horses across the reservoir.
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This is the place where ghost pirates roam in times forgotten. Where great poems were once written. Everything has happened here. A few abandoned boats and much stillness. And an island in the middle. Most curious. Not much choice but to explore as far as your nerves will take you. Watch out for Zorro the dog.
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This is the stuff nightmares are made of. Good nightmares. A perverse Aladdin's cave of treasure and artefacts.
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Good, progressive, solid, forward-thinking place. And run by the warmest, most intelligent and inspiring people to be around. Always a humble, fulfilled visit. And whilst in the area, best to visit next door to Hannah Barry's gallery for more wonderful work.
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I was born in the mid 1980's and grow up in London. From always having a fascination with mechanical objects and relentlessly playing with lego as a child becoming a still life photographer seemed like a natural progression. There is something enormously rewarding about creating exactly whats in your head. I try and make my images on first glance look completely perfect but on closer inspection its revealed there are many imperfections, if you look closer at the 'Wrapping Paper Series' you can see all the joins and creases. I think this makes it look and feel like a photograph and not CGI.
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Freelance Exec / Senior Producer
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An Interior designer from Shanghai, just graduated from RCA. 
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Co-owner and Brand Director at 1934 in London
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