Graphic Designer

Joanne Hummel Newell (b 1982) studied at Kingston University London from 2001 - 2004 and at The Royal College of Art, London, from 2004 -2006. Joanne is Co Director of artist run organisation Foal Arts is currently represented by Folly and Muse Gallery, London/Munich and Newblood Art London. Recent selected exhibitions and short lists include WW Gallery collateral exhibition at the 53rd Venice Biennale, Jerwood Drawing Prize, RA Summer Exhibition, Royal Watercolour Society Contemporary Competition, Shoosmiths Art Prize, The Other Art Fair London and Art MUC Munich with Folly and muse Gallery. Press features include the UK Times and Observer Newspaper, Fresh Paint magazine selected by Andrew Salgado, After Nyne Magazine, women in art issue. Works are included in public and private collections in UK, USA, Hong Kong and Australia. Joanne has also received a number of Arts Council England Grants for the Arts Awards for temporary installations and projects.

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

moving a of b into a and b with material, process, and form.

Painter, Day-dreamer, Wanderer. Corn sets out to explore the deepest levels of the human subconscious. The atmospheric, melancholic tones of her drawings and paintings evoke sensations of dislocation. These works document her interest in what is lost and what is found, the ambivalence between what is the fleeting memory and what is synthesized as a trace within the landscape.