Founder and Managing Partner of Carrie Scott & Partners, Carrie Scott has been a curator, Art Historian and arts writer since 2004. She has developed Modern and Contemporary collections in Europe and the United States, working with numerous businesses, executives and collectors to help them establish, manage, and maintain both corporate and personal art collections. Since early 2010, Scott has also worked side-by-side with visionary fashion photographer Nick Knight to curate his archive as well as curate exhibitions at the SHOWstudio Shop, a gallery that exhibited high profile contemporary artists like Douglas Gordon, Raymond Pettibon, Keith Tyson, Terrence Ko, and Anj Smith, alongside the work of dynamic younger artists like Tim A. Shaw, Courtney Andrews, Charlotte Kingsnorth, and Walter & Zoniel.   The SHOWstudio gallery is now globally recognised as having been a pioneering, ground-breaking platform that nurtured and encouraged creativity by combining the different art forms together in one space.  Before starting Carrie Scott & Partners in 2009, Scott was Director of Nicole Klagsburn Gallery, New York, where she worked closely with artists such as Beth Campbell, Matthew Day Jackson, Rashid Johnson, Mika Rottenberg, Adam McEwen, and Storm Tharp. Prior to that, she was noted curator of the Hedreen Gallery at Seattle University's Lee Center, and Director of the James Harris Gallery also in Seattle, Washington. In 2017, Scott appeared as a presenter on The Art Show, an entirely new art series that richly captures the artists of our lifetime that have inspired collectors and art lovers alike.

Attilia Fattori Franchini is an independent curator and writer based in London. She is co-founder of the online platforms bubblebyte.org and Opening Times and contributes critical essays and reviews to publication such as CURA., Kaleidoscope and Flash Art International. Between 2013 and 2014 she has initiated and curated The Basement a programme in London dedicated to young, unrepresented artists. Attilia is currently working on the second edition of Curva Blu, a residency project in Favignana, Sicily; she is co-curator of ARS17+ the online extension of the exhibition ARS17 currently at Kiasma, Museum of Contemporary Art, Helsinki. Attilia is is also curating BMW Open Work, a new programme of commissions to be launched at Frieze London 2017 and the Emergent section of miart 2018. Recent projects include: Meshes of the Afternoon, Roman Road, London, June, 2017; Céu Torto, Boatos Fine Arts, São Paulo, BR, February 2017; Dawning, Capitán Gallo, Mexico City, MX, February 2017; Morning uber, evening oscillators, Seventeen, London, November 2016; Lonesome Wife, Seventeen, London, October 2016; Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo, 2016, Oa4s, Temra and David in 4 parts, Sorbus, Helsinki, 2016; Yves Scherer, Snow White and The Huntsman, Mexico City, 2016; Basic Instinct, Seventeen, London, 2015; Guest Curator, Kuvat Academy of Fine Arts, Helsinki, 2015; Bold Tendencies 2015, London.

Life is so rich

London based portrait and lifestyle photographer

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.