About Jim
Industrial designer who creates playful home decor. Founder of Dyslexic Design. Originally trained as a model-maker in the film and television industry. Jim then went on to teach at a special needs school in London before completing a Master’s degree (2006) in Industrial Design at Central Saint Martins College of Art & Design (part of London’s University of the Arts). In 2016, Jim curated an exhibition called Dyslexic Design, which was designed by Ab Rogers and hosted by designjunction. The show challenged perceptions of dyslexia by accentuating its positive effects and its close association with design.
http://rokos.com
Current city: London
Industrial designer who creates playful home decor. Founder of Dyslexic Design. Originally trained as a model-maker in the film and television industry. Jim then went on to teach at a special needs school in London before completing a Master’s degree (2006) in Industrial Design at Central Saint Martins College of Art & Design (part of London’s University of the Arts). In 2016, Jim curated an exhibition called Dyslexic Design, which was designed by Ab Rogers and hosted by designjunction. The show challenged perceptions of dyslexia by accentuating its positive effects and its close association with design.
 
Relaxed with character. Tiny garden at the back overlooked by Waterloo train station. Not sure if mother cat still lives there. Nice to go with friends or alone. Books. Good for a coffee and cake or a bottle of beer. Spiral staircase down to basement. One loo serves the place - tip - lock the door, don't just rely on the curtain and save an awkward encounter.  Photo credit: http://www.appletoothpaste.co.uk/2017/05/coffee-scooter-caffe-london.html
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Paul Nicholson #graphicdesign #graphicart #logo #branding #typography #photography #recordsleeve #3 #terratag Paul Nicholson - NUMBER 3
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Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.
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Illustrator based in London
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I was born in the mid 1980's and grow up in London. From always having a fascination with mechanical objects and relentlessly playing with lego as a child becoming a still life photographer seemed like a natural progression. There is something enormously rewarding about creating exactly whats in your head. I try and make my images on first glance look completely perfect but on closer inspection its revealed there are many imperfections, if you look closer at the 'Wrapping Paper Series' you can see all the joins and creases. I think this makes it look and feel like a photograph and not CGI.
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