About Daniel
Daniel originally from Portsmouth moved to London just over 3 years ago. He works in a variety of mediums. His recent work consist of setting up structures for drawing that encourage chance to determine the form, this excludes him from making any aesthetic decision. By using this conceptual logic he creates a system in which a process is started, continued for an undetermined amount of time, then finally stopped by the rule that birthed it. This thinking is also expressed in his photography which depict the unintentionally created forms of various other processes.  
http://www.danielginns.com
Current city: London
Daniel originally from Portsmouth moved to London just over 3 years ago. He works in a variety of mediums. His recent work consist of setting up structures for drawing that encourage chance to determine the form, this excludes him from making any aesthetic decision. By using this conceptual logic he creates a system in which a process is started, continued for an undetermined amount of time, then finally stopped by the rule that birthed it. This thinking is also expressed in his photography which depict the unintentionally created forms of various other processes.  
 
Southbank has organically evolved into a place of cultural significance through the persistent creative use of skateboarders spanning over generations. Southbank is currently under threat of being destroyed and replaced by coffee shops and retail outlets. There has been an alternative skate spot preposed to be built under Hungerford Bridge, this at first glance seems like an appropriate solution. Unfortunately this undermines the grassroots movement that has been developed over the years. Skateboarders have utilised the unsuspecting angles of brutalist architecture in a way they were originally not intended, in doing so they have created a space that is special and unreplicable. You can help save this historic place by signing the petition.
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Built by my Dad and I in the rafters of an old peanut factory in Hackney Wick, I have slept and scribbled in this space for a number of years now. I enjoy being instantly confronted by the days task as soon as I wake. Despite the lack of natural light and paper thin walls this studio is great place to produce work. By far my favourite edition to the space of late has been my hammock.
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I have just recently finished a project installing a drawing for artist Alan Johnston onto the ceiling of the Tate Britain. The experience, although being somewhat taxing on peoples health with long hours and difficult working conditions was fantastic. The mediative and mind altering drawing practice that Alan has created combined with the enthusiasm of a team of talented individuals has resulted in what can be considered a great work of art. It will be open to the public later this year. 
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Aside from the excellent cultural facility's the Barbican Centre has to offer, ranging from theatre, art, music and dance. The space outside the Centre holds personal value in its ability to evoke nostalgia of the Emerald City, in the slightly disturbing film 'Return to Oz'. I enjoy residing by the fountains, where I draw, read books and feed ducks.
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Located in Camberwell College of Arts University. The etching room is spacious and has excellent natural light, perfect for fully engaging in this historically rich process. With knowledgeable technicians that show a clear understanding of their craft, this criminally under used workspace is a gem of South London.
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