About Emilie
Emilie is a London-based graphic designer and art director from Paris. She has worked on branding projects and retail campaigns for Kickers, Speedo and Ted Baker, created campaign images, trailers, posters and programmes for the National Theatre and currently design book covers for Penguin Books. She is also one of the Ladies Wine Design London organisers. The group is part of an international community of creative women started by Jessica Walsh in New York, and runs monthly events including talks, workshops, portfolio review sessions and informal discussions.
http://www.emiliechen.com
Current city: London
Other cities: Paris
Emilie is a London-based graphic designer and art director from Paris. She has worked on branding projects and retail campaigns for Kickers, Speedo and Ted Baker, created campaign images, trailers, posters and programmes for the National Theatre and currently design book covers for Penguin Books. She is also one of the Ladies Wine Design London organisers. The group is part of an international community of creative women started by Jessica Walsh in New York, and runs monthly events including talks, workshops, portfolio review sessions and informal discussions.
 
SOAS university has a small gallery space dedicated to exhibitions about Asia, Africa and the Middle East. There's a small but beautiful Japanese zen garden on the rooftop (currently closed for refurbishment)
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Just above the Dorfman Theatre lobby at the National Theatre, is the entrance to the high-level walkway, a public walkway that overlooks the National Theatre props and scenic workshop. It's free and is a unique chance to get a glimpse of what happens backstage. I love popping in when I'm on the south bank, as you get a completely different sight each time, depending on which production the workshops are working on at the time.
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Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.
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