Born and raised in Cardiff, James Davies is a photographer who has lived in London for 13 years. His work centres around the impact of the city upon its citizens and its citizens upon the city, as well as the wider social, economic and political themes that affect daily life in Britain. His most recent series, The Sclerosis of Existence, looks to explore the relationship between the people and the places of a city when seen through the repetition of daily routine.

Seryoung An is an Artist and Visual Image Maker. She is interested in communicating and interacting with a large audience through her work. Her projects start from a personal narrative that leads to visual narratives on paper. The scenes from the narratives she creates are usually a representation of herself and her experiences. She gets inspired from everyday objects in her surrounding world, the ongoing civilisation, current affairs and nature. She creates books posters and stationery based on images made from hands-on techniques such as collage, linocut, watercolour painting, acrylic and gouache. 

Co-owner and Brand Director at 1934 in London

Grace Helmer is a Brighton-born, London-based illustrator and artist. She has put her paintbrushes to work for a range of clients, such as Apple, Google, Octopus Books and HarvardX. Natural forms, people watching and a sense of adventure inspire Grace’s playful and colourful work. Her compositions capture the feeling of discovery when you visit somewhere for the first time, and celebrate the beauty in the everyday.

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.