A creative director running a film production company based in London. Passionate about travel, food, food, art and design and some more food.

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

Artist / Maker of sculptural and furniture pieces which explore material properties.

Designer and Illustrator from London

Adrian Westaway Co-founder & Director of Technology and Magic at Special Projects Adrian is an inventor, engineer and experience designer on a mission to make the human-technology interaction meaningful and delightful. As co-founder of Special Projects he harnesses technology, inclusive research and magic thinking to devise design propositions that feel familiar yet wondrous. A self-taught magician since the age of 11 and full member of the Magic Circle, he relentlessly pursues his conviction that “designers should use magic thinking and try to introduce surprise, delight and fuzzy feeling in the things they create.” After becoming the first ever James Dyson Fellow in 2007, and a Fellow of the Royal Commission of 1851, in 2010, for his work on interactive lighting systems, Adrian built a playground in Peru, had whisky with Derren Brown as a student in Bristol, and tried to make his teachers disappear. His contagious passion for magic and engineering made him a beloved tutor and lecturer in Design & Innovation at Queen Mary University and the Royal College of Art, in London and a visiting faculty member at the Copenhagen Institute of Interaction Design. There he teaches ‘Magic and Design’, a nomadic workshop where students are introduced to methods of using design and technology to create enchanted products and experiences.