Michael is an interdisciplinary Designer & Art Director based in London, with a focus on brand identity, and communication design. Originally from Montreal, Canada — I've been lucky enough to work at agencies as Bold Scandinavia, Character, ManvsMachine, Koto, and Pentagram — developing concept-driven work for brands like Apple, BBC, Facebook, Google, National Film Board, Nike, San Francisco Design Week, and Squarespace.

Omani-Bahraini visual artist based in London.

Freelance illustrator and Creative Director at Pretty Decent Beer Co

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.

Daniel originally from Portsmouth moved to London just over 3 years ago. He works in a variety of mediums. His recent work consist of setting up structures for drawing that encourage chance to determine the form, this excludes him from making any aesthetic decision. By using this conceptual logic he creates a system in which a process is started, continued for an undetermined amount of time, then finally stopped by the rule that birthed it. This thinking is also expressed in his photography which depict the unintentionally created forms of various other processes.