Mathushaa Sagthidas is a London based freelance photographer, stylist, set designer and art director (studied at Camberwell College of Arts, UAL) with interest in fine art and contemporary fashion. Mathushaa’s work often examines her identity - Tamil Eelam ethnicity and British nationality, which is reflected through traditions, history and fashion photography.  ​ Identity, authenticity and representation are important to her because of her parents’ upbringing and experiences during the Sri Lankan civil war, which took place from 1983 until now. The history of the war, their own personal suffering and experience led Mathushaa to learn and embrace her ethnic culture, traditions and heritage more and more. ​   Her photography work spans a range of brands including Amazon, Wolf & Badger, Fashion United, Deezer and Bloomsbury; publications such as Creative Lives, Glass Magazine, The Photographer's Gallery, gal-dem, Hypebae​, Fashion Minority Report, THIIIRD Magazine, Campaign Live, Dishoom, It's Nice That, The British Library and Graduate Fashion Week and exhibitions such as Tate Britain, PhotoFusion, BBH London, Lake Gallery, Camberwell Space Gallery, Rankin x Maryland Studio, including billboards across the UK and a solo show with Bow Arts.

German born Dennis Schoenberg moved to London to study Film and Audio-Visual Production and subsequently completed an MA in Photography at Westminster University. Dennis then went on to work as a photographic assistant for Rankin at Dazed & Confused before moving to New York to assist Steven Klein. On returning to London Dennis became Studio Manager for Turner Prize winner Wolfgang Tillmans. Throughout this time Dennis built up a relationship with i-D Magazine for which he started working as a freelance photographer after having left his position at Wolfgang Tillmans. Since then Dennis has been working as a portrait and fashion photographer as well as a video director.

Documentary director based in London

Photographer based in London

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.