Craig is a Scottish portrait and documentary photographer based in London, UK.

Nigel Howlett lives and works in London. He has developed a graphite cartoony style of drawing which references early Disney movies and painters such as the American artist Peter Saul. Howlett depicts hairy characters, acting out scenarios that reflect familiar social anxieties and conditions. Always humorous and sometimes sinister, common themes in the work include our obsession with technology and our relationship with social media. Nigel also runs a set design practice working with clients which include the BBC, channel 4, Issey Miyake and Nike. In 2015 he co-founded Nan Studios, a Photographic and creative studio in Clapton East London.

I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 

Freelance Graphic Designer based in London. Working at the likes of Apple & Google.

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.