Malerie Marder grew up in Rochester, NY and studied at Bard College completing a B.A. in History and Art. She received her M.F.A. from Yale University where she was awarded the Schickle-Collingwood Prize and The John Ferguson Weir Award. Her solo exhibitions include Leslie Tonkonow Artworks + Projects, Salon 94 and Greenberg Van Doren in New York; Blain|Southern, Maureen Paley, and The Photographer’s Gallery in London; Galerie Gabriel Rolt, Amsterdam. International group exhibitions include Everyday Epiphanies: Photography and Daily Life Since 1969, The Metropolitan Museum of Art, New York; Desire, Gagosian Gallery and Deitch Projects, The Moore Building, Art Basel, Miami; The Naked Face, National Gallery of Victoria,Melbourne; Shoot the Family, ICI, New York; Sight/Insight, Concoran Gallery of Art, Washington, D.C.; the 2004 California Biennial, Orange County Museum of Art; and Blackbox, Edinburgh College of Art in collaboration with the Edinburgh Film Festival. Her work is in the permanent collections of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York, the National Gallery of Art, the American University Museum and the Concoran Gallery of Art in Washington, DC, the National Gallery of Victoria, Melbourne, The Seattle Art Museum, and the Hessel Museum of Art at Bard College, amongst others. She is represented by Leslie Tonkonow Artworks + Projects, New York.

Director, Choreographer, and Movement Artist

Design

Artist living and working in Los Angeles

Sean Pecknold is a film director and stop-motion artist who has created music videos and commercials for the likes of Fleet Foxes, Grizzly Bear, BBC and the New York Times. He explores existential conundrums in his work, often using mystical or surreal imagery and stop-motion and mixed-media animation. On the road is where he feels the most at home. He grew up in Seattle, spent some time living in New York, and now lives in Los Angeles. He runs Sing-Sing studio in Los Angeles with Adi Goodrich.