Writer/editor

Photographer splitting time between New York and Los Angeles

Alison O’Daniel is a visual artist and filmmaker working across sound, narrative, sculpture, installation and performance. Her projects, screenings, and performances have been included in Made in LA 2018, Hammer Museum; The Infinite Ear, The Garage Museum of Contemporary Art, Moscow; Performa, New York; Exchange Value, Los Angeles Nomadic Division; and Louder than Words, the Zuckerman Museum, Atlanta, GA. Solo exhibitions include Skaters’ Score, commissioned by JOAN with support from the Mike Kelley Foundation for the Arts; The Bemis Center for Contemporary Arts, Omaha; Studio 13-16 project and screening at the Centre Pompidou, Paris; Shulamit Nazarian, Los Angeles; Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France. She is a recipient of grants from Creative Capital, the Rema Hort Mann Foundation; Center for Cultural Innovation; California Community Foundation, and more.

Dutch born photographer Gijs van der Most is based in Los Angeles. Since he switched Amsterdam for Los Angeles about two years ago, he's been quickly becoming a favorite in the downtown Los Angeles photography scene. Gijs’ photography is direct, personal, and sometimes with a little wink. He's fascinated by people, their behavior and their environment. His documentary projects include “Used Car Salesmen”, “Yard Sales”, “Sign Jugglers”, and his most recent project " I ♥ Runyon Canyon". Even though Van der Most works are displayed in series, he doesn't waste a single image. Gijs has co-created the blog “van der THIS! “, with his comedian/writer wife Michelle Buteau fusing the photography and comedy world into a miniseries that is eye catching as well as entertaining. His passion for great imagery hasn’t been unnoticed by the popular style, culture, and design blog www.kaufmann-mercantile.com. Where he currently is working as photo editor.

MILLIØNS is a Los Angeles-based experimental design practice, founded by John May and Zeina Koreitem.