Rotating modern art exhibitions in a complex of. beautifully design/renovated buildings, designed by Rem Koolhaas. Also has a great cafe and restaurant.
Website
fondazioneprada.org
Address
Fondazione Prada, 2 Largo Isarco, Milan, Italy
Current city: New York
Other cities: LondonMilan
I am a creative director, based between London and NYC where I design homeware and interior spaces. I love to travel - finding (and sharing) the best local restaurants, bars, galleries and shops on my travels brings me joy. Find my design work @clarewalsh and my travel tips (coming soon) @roomservice_world
 

More Places in Milan 60

Wine bar serving a great selection of wines by the glass and bottle, alongside a selection of small plates. Lovely interior and friendly staff. Booking suggested.
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Flowers lovers! Orto Botanico di Brera is an hidden treasure right in the center of Brera and near by Pinacoteca. The garden is a university and museum, there they organize events and activities for the public and schools. It has an amazing collection of flowers and medicinal plants, plus little corners where you can stop by and enjoy the silence for a bit.
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Home of the negroni sbagliato. God fun for an aperitivo served in a gigantic glass, especially popular during Salone del Mobile.
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The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up. Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.
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Spazio Rossana Orlandi, a store and gallery dedicated to avantgarde design, located in a former tie factory.
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