Where to find the best vintage treasures in Venice!

To really reach/understand a city you must live there or, at least, acting like you do. Nothing makes you feel more like a Milanese D.O.C. than stopping by Frida's on a Sunday morning to buy some flowers. Located in Brera this tiny shop has an extraordinary colour palette of flowers and plants. After that we just take a walk in the neighbourhood holding our bunch of Brassica Oleracea and our day is made.

American artist Dan Flavin installed 'Untitled' at Santa Maria Annunciata in 1996, following an invitation from Italian priest Giulio Greco.

Gallery Rossana Orlandi was opened in 2002 in a former tie Factory in the Magenta neighbor, Galleria Rossana Orlandi has been forecasting along the years new and upcoming designers and establishing the premise as one of the most revered platform for avant-garde Design and Lifestyle. Started her activity focusing on the rising dutch design wave with designers such Piet Hein Eek, Maarten Baas and Nacho Carbonell the research has moved widely around the world creating a catalog which reflects the most innovative scenes from Europe to Asia to America. The space is articulated in a not traditional way mixing together, showroom, a retail store, offices and a courtyard for events and meeting with no boundaries between the different activities.

The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up. Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.