Even the most unconventional tourist would never leave Milan without visiting Piazza del Duomo. Well, since you’re there you must have a traditional “aperitivo” (to get before lunch or before dinner) at the Bar Zucca where Verdi and Toscanini used to go, back from the Scala Theatre. We never sit at the nice small tables located apart, we like to enjoy our Rabarbaro Zucca standing in the crowd of the bar - just try it.

Magical place where is situated Antonio Marras and I'm Isola Marras' showrooms. Here took place often, shows and meetings about art, fashion, cinema and culture in general. Can't miss it if you pass by Milan.

Inaugurated on May 3, 1934, the Roberto Cozzi indoor swimming pool was the first entirely covered pool in Italy - a masterpiece of the engineer and architect Luigi Lorenzo Secchi (1899-1992). It's possible to book just for the day by the website www.milanosport.it and, for summer days, you can also use the terrace.

Modern design space and gallery, home of Capsule magazine. Store and coffee shop next door.

The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up. Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.