Modern design space and gallery, home of Capsule magazine. Store and coffee shop next door.

It's a very laid back bar located in Chinatown, that serves also food. I have designed this bar with Roberto Marone, who is one of the owners and we took inspiration from our various travels. It's a very cozy, almost homely place and a perfect spot to hang out. 

Vintage lovers! The Planetarium of Milan, Civico Planetario "Ulrico Hoepli", is a building located at the entrance of Giardini di Porta Venezia. It's a beautiful structure designed by Piero Portaluppi and commissioned by the Italian-Swiss publisher Ulrico Hoepli. Also the interior design is beautiful, there you can find a planetarium which projects and represents the image of the stars and their movements in the sky. The Planetarium also has a library which is a section of the Museum of Natural History, near by. They also organize educational activity concerning astronomy as talks, events and even concerts. 

Founded in 2011, Paladini 8 is a space of 500 mq which includes a backyard, a bar/bistrot, a vinyl and book shop, an exhibition room, a coworking space and a bunch of private offices with professionals in the creative field. Concerts, exhibitions and events are organised every night. This place represents an active and important landmark in the new cultural and artistic scene of Milan.

The Brera Gallery was officially established in 1809, even though a first heterogeneous collection with educational purpose existed already from 1776 – and then increased in the following years – alongside the Accademia di Belle Arti, requested by Mary Therese of Austria to offer the students the opportunity to study lofty masterpieces of art close up. Brera become a museum to host the most important works of art from all of the areas conquered by the French armies. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the product of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, soon to be joined by artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact.