My boyfriend and I have come to ATOBOY over 30 times since its opening last year, and it is our second home. The menu is incredible and ever-evolving; they also received 2 stars in the New York Times this summer!
Website
atoboynyc.com
Address
ATOBOY, 43 East 28th Street, New York, United States
Current city: New York
Amber Vittoria is an illustrator focusing on femininity and the female form, leveraging physical traits such as body hair, overtly extended limbs, and rounded features. Her work has been recognized by Print Magazine‘s 2017 New Visual Artists – 15 Under 30, It’s Nice That, Computer Arts, HuffPost, Teen Vogue, Man Repeller, and 20×200.
 

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My favorite neighborhood fancy chinese spot. Quality soup dumplings (it's obligatory to get an order). Mock eel (mushrooms), ants climbing a tree (noodles), salt & pepper fry (fresh daily), and mu shu duck are some of the go-tos. It's spicy and filling—worth a night of feasting. 
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Love it or hate it...If I'm in NY I want to feel it and see it, the view here is just incredible. Pretty people, strong drinks and late nights...
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My second-favorite outdoor-place in Manhattan. The abandoned 1.6 km rail tracks running above Chelsea down to the Meatpacking district were turned into an above-ground park. Perfectly nice place for sitting in the sun, reading, relaxing, having lunch in some green spot in the city. Nice views at the Hudson River, New Jersey, the Statue of Liberty (little small from there but still visible) and the architecture around Chelsea.
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The best way to enjoy Manhattan is from Brooklyn. Transmitter Park offers views without the crowds, and you can pick up coffee-to-go and treats from nearby Ovenly. The India St/Greenpoint Ferry is a 5 minute walk and will take you all the way to the Rockaways in the Summertime.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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