The Sill is one of our favorite places to shop for plants in all of New York City, offering amazing customer service and a busy calendar of events in their tiny shop on Hester Street to help you learn exactly how to keep that fiddle leaf fig or pothos alive.
Website
thesill.com
Address
The Sill, 84 Hester Street, New York, United States
Current city: New York
Clémence Polès is a New York-based creative strategist & marketer. Born in the south of France and raised in Dubai, she graduated from King’s College London with a Masters in International Marketing. Prior to consulting, Clemence was leading the marketing efforts and digital content of tech start-up, Splacer. Since, she has worked with clients such as Sonos, West Elm, Soho House, Casper, Canal Street Market and more. She is also the creative mind and photographer behind Passerbuys, a website built around real recommendations of the women that pass us by, gaining press from the likes of Time Out, Refinery29, Sight Unseen & more.
 

More Places in New York 452

Posted by Eric Frommelt
I’m crazy for pork buns and ramen. The wait is always long at Ippudo but I never regret it.
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From Wally's cafe to Wall.E to a green wall. When you arrive in NYC you immediately mention a difference in concentration when it comes to conversations. Iphone's go always before listening to people. There is nothing to do anything about this anymore but it is a little fact. I Like to cycle and walk around in the neighborhood and mention this beautiful wall with the 2 oval light spots arisen on it. This magical light spots are constantly popp'n up on all different walls in NYC. Open your eyes: Let's stare at the wall. Just as long as something starts happening.
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The Christmas light House in the Bronx is a neighborhood fixture that is hard to miss. It is decorated year round with life size statues and is painted  bright pink. Though it draws most of its audience during the holidays it is an anomaly throughout the seasons. Such a bizarre place with such exuberant colors and vibrancy attracts an artists eye and will draw you in.
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I discovered the Frick my first week in New York, during a heat wave in August. The galleries were surprisingly empty, with only the occasional visitor strolling through the rooms, gently creaking the floorboards. I stood for a while in front of the Bronzino, a portrait of a boy standing against a background of green drapery, and then sat in the courtyard for a long, cool hour.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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