It starts when a friend implores you to eat downstairs at La Esquina, the subterranean brasserie branch of Derek Sanders's Mexican axis of Kenmare Street. The food’s cheaper and probably better at the walk-in-only cafe around the corner from the restaurant’s entrance—a door disguised by a taqueria counter and a sign that reads “Employees Only”—but there’s a certain category of New Yorker who thrives on having what others don’t. A reservationist will ask you if you’ve “dined with us before,” and in general, it takes knowing someone in the industry, smooth talking, or (velvet-rope flashback) looking good and confident at the door, to waltz in at prime time. The reward is dining in a Mexican dungeon as styled for a Vogue shoot, complete with metalwork, distressed stone walls, and water dripping on the back of your neck (though the owners can probably thank the air conditioner for the added atmospherics). Making up the grinning crowd at secluded booths and in private cells (?): a healthy mix of models, cougars, and maybe John Mayer picking his way through red snapper ceviche, cauliflower and avocado taquitos, grilled octopus tostados, or a plate of tuna tartare with a tamarind glaze. If the food sounds light, you’re right; it’s playing to the delicious crowd.  This is, what "The New Yorker" wrote about this fantastic place!

XXXI (‘Thirty-One’) is ❶ a mixed-use community space for designers (and others) to exhibit, teach, and discuss self-initiated work; ❷ a shared studio space; ❸ a residency for designers; and ❹ an online (and sometimes physical) store. It purposefully lives outside (or against) the constraints of the city it exists in and traditional commercial practice to ask what design can do when its goal is not money.

Here's what the world used to look like.

Somewhat off the beaten Williamsburg-track, Brooklyn Art Library is nestled on a mostly residential street. It’s home to tens of thousands of artist sketchbooks known as “The Sketchbook Project”. Over 100 countries are represented and their “collection houses books from small communities in Mongolia next to professional illustrators from New York.” You can donate one of your very own! All the sketchbooks have been cataloged for easy searching of their vast shelves, by artist and subject, and visitors are invited to browse what feels much like a hands-on museum. The Art Library also remains one of the few places to find art supplies (while limited) in the neighborhood, and if you’re in the market for a special gift (including books, totes and the cutest retro pennants) for your favorite art-lovin’ bibliophile, you might just get lucky here.

Since September this year, the very best place to hear an authentic voice, keeping Wall Street sharp.