About Leticia
Leticia Wouk Almino is a Brazilian architect based in New York, NY. She has lived in Brasília, Washington, San Francisco, Lisbon, London, and again in the Brazilian capital before moving to the United States for her studies. She most recently completed her Masters in Architecture at Yale University in New Haven, CT and is currently working at Robert A.M. Stern Architects in New York. She draws her inspiration from the world of cinema, as she is interested in exploring the interstice between architecture and fiction, real and imaginary, public and private space. She is looking to publish her book, Capital Urbanism, a comparative study of public space in four capital cities in Portugal and Brazil.
http://www.leticiawoukalmino.com
Current city: New York
Leticia Wouk Almino is a Brazilian architect based in New York, NY. She has lived in Brasília, Washington, San Francisco, Lisbon, London, and again in the Brazilian capital before moving to the United States for her studies. She most recently completed her Masters in Architecture at Yale University in New Haven, CT and is currently working at Robert A.M. Stern Architects in New York. She draws her inspiration from the world of cinema, as she is interested in exploring the interstice between architecture and fiction, real and imaginary, public and private space. She is looking to publish her book, Capital Urbanism, a comparative study of public space in four capital cities in Portugal and Brazil.
 
I discovered the Frick my first week in New York, during a heat wave in August. The galleries were surprisingly empty, with only the occasional visitor strolling through the rooms, gently creaking the floorboards. I stood for a while in front of the Bronzino, a portrait of a boy standing against a background of green drapery, and then sat in the courtyard for a long, cool hour.
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I came alone and walked up an unassuming flight of stairs to the second floor that opened onto a narrow hallway with a reception desk. Before arriving at the Room, I could already sense the rich smell of damp earth that permeated the space.
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After his guitar class, I would ride the 1 train down and meet him for a movie. That was years ago. Now I continue to come, sometimes alone. It’s one thing I enjoy doing by myself: going to the movies to see independent films that are oftentimes bizarre and somewhat depressing, but I like it all the same.
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It was a warm evening in the city and not yet dark. We arrived, giddy and happy, and he ordered two glasses of prosecco. The waiter managed to fit onto our tiny wood table two plates of tartines, a legumes dish, and a tray of fromage. And then we shared dessert. I can’t remember exactly but it must have been chocolate.
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Coming back from from New Haven, we got off at Grand Central and he took me down one of the concourses to the place with the vaulted ceiling. He stood at one corner and I stood at another and we whispered into the walls, our voices drifting across to each other.
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Bosco Sodi is known for his richly textured, vividly colored large-scale paintings. Sodi has discovered an emotive power within the essential crudeness of the materials that he uses to execute his paintings. Focusing on material exploration, the creative gesture, and the spiritual connection between the artist and his work, Sodi seeks to transcend conceptual barriers. Sodi leaves many of his paintings untitled, with the intention of removing any predisposition or connection beyond the work’s immediate existence. The work itself becomes a memory and a relic symbolic of the artist’s conversation with the raw material that brought the painting into creation. Sodi’s influences range from l’art informel, looking to artists such as Antoni Tàpies and Jean Dubuffet, to master colorists such as Willem de Kooning, Mark Rothko, and the bright hues of his native heritage.
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Anouk Kruithof is a multi media artist; she makes mainly photos as well as video-works, installations, artist-publications, collages and social in situ-works. Anouk Kruithof is fascinated by ‘the mental state of being of humans’ of her time and environment. She responds on people’s struggle to deal with the universal emotions of life. At this moments she lives In New York, because she attends the artist in residency 'photoglobal' at the school of visual arts in New York.
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Hong Kong born, Australian designer
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