I feel like I’ve watched this plant shop grow up because they’ve over doubled in size since I first started going! Speaks to the quality of the store and ownership. They have an excellent selection of healthy plants for a great value. This is my go to for green.
Website
dahingplants.com
Address
Dahing Plants, 289 Grand Street, New York, United States
Current city: New York
Megan Bowker is creative person practicing design in the world. She is well-versed in creating ideas and systems at scale and finds meaning in using this skill to advance people and ideas that she believes in. She is always looking for thoughtful, inspiring people, driven by integrity to collaborate with. Please say hi.
 

More Places in New York 452

A new artificial island park where all New Yorkers and visitors can experience nature and art in a unique urban oasis on the Hudson River. The park features a lush, seasonal, landscape with rolling hills, winding pathways and dazzling views coupled with programming that includes music, dance, theater, poetry, comedy and arts workshops for all ages.
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CAP Beauty has reached a cult-like status amongst New Yorkers who try to live their lives a little more like Gwyneth Paltrow, and a little less like Lindsay Lohan circa 2007. But you don’t have to be a health nut to appreciate the natural beauty store’s mission to bring a carefully selected range of products and brands that are actually kind to our bodies to consumers.
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Warm winter holiday vibes all year long, especially during the holidays. A hint of the old NYC where one could be a functioning alcoholic by day and artist by night. Proper characters here, the lore is deep.
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The Frank Stella's are the best. They are all over the city and they always look amazing. Two of my favorites are the Saatchi and Saatchi lobby (pictured) and the Citi Corp building in Midtown.
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In 1963, the Italian-born sculptor Costantino Nivola filled a playground that covers an entire city block with avant-garde abstractions. In the middle of an Upper Manhattan housing project, there are cuboid cutouts sculpted in cement, a fountain made with two diamond-shaped boulders, concrete play horses, and a sand-casted relief carved high into a wall. In the northeast corner, a matriarchal figure known as “The Nanny” rises from the ground. The artist’s sculptures were built in an era when urban development incorporated art in its effort to uplift communities and express democratic ideals. “A work designed for a public space is less a work of art than a civic act,” Nivola once said. “It concerns the ways in which we live together, and in which we influence each other.”
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