Xinyi Shao is a visual designer based in Brooklyn, NY, specializing in brand identity, editorial design and research. Her work has been recognized and awarded by Core77 Awards, TDC, Graphis Awards, Communication Arts Awards, Creative Communication Awards, IDA Design Awards. Influenced by her former finance background, her emphasis on reasoning and precision has made her value research and process, which brings originality and depth to her work. Within a root in typography and interests in technology, she explores new ways of making according to the rapidly changing world and media environment. She holds an MFA in graphic design from ArtCenter College of Design and a BS from Southern University of Science and Technology.

I have a career in wealth advisory with a specific emphasis on guiding clients who wish to invest their portfolios in line with their values. My niche expertise is investing in problem-solving companies, e.g, climate solutions, energy efficiency, social equity, food and food systems. I also work in urban park restoration and design.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Leta Sobierajski is an independent designer and art director based in New York City combining traditional graphic design elements with photography, art, and styling to create utterly unique visuals. Her work is incredibly diverse, ranging from conventional identities to brilliantly bizarre compositions. As of October 2016, Leta began a design studio with her husband and collaborator, Wade Jeffree, in which they focus their unusual eye on projects ranging from branding, art direction, installation, to video. She studied graphic design at Purchase College and has been working independently since 2013. Her client list includes Adobe, Bloomberg Businessweek, D.S. & Durga, Google, Gucci, IBM, The New York Times, Refinery 29, Renault, Süddeutsche Zeitung Magazin, Target, Tate Modern, and UNIQLO among many others. She has been recognized as an Art Directors Club Young Guns 15 recipient as well as Print magazine’s New Visual Artist, and has given talks at conferences all over the world including North America, South America, Europe, and Australia.

Kent Rogowski is an artist/photographer living and working in Brooklyn, NY. Kent’s works are often provocative and whimsical manipulations of objects and images that surround us in our daily lives. From teddy bears to jigsaw puzzles and self-help books, he uses and alters mass-produced consumer products as a vehicle for self-expression. By transforming the generic into something personal, Kent questions what these products communicate, and also what role they play in our culture. His first monograph, Bears, was published by powerHouse books in 2007. He has shown his work both nationally and internationally with solo shows in New York at the Jen Bekman Gallery and the Foley Gallery and the In Focus Gallery in Cologne, Germany. In 2000, Kent received his MFA from the Rhode Island School of Design, where he is now a Senior Critic. He has also taught at The Pratt Institute and The School of Visual Arts in New York.