Occasionally I’ll look at the Manhattan skyline and wonder what it was like in 1931 when people around the world were saying, “Holy shit, did you hear what they just built in New York?” Just get up there and trip out about humanity. And be sure to keep an eye out for the unmarked locked door guarding a set of stairs leading to a hidden terrace that was originally designed as a fucking docking station for zeppelins.
Address
The Empire State Building Observation Deck, 350 5th Avenue #300, New York, United States
Current city: New York
Michael was born and raised in Seattle, and has lived in New York since 2009. He’s done graphic and interaction design for Pentagram and Local Projects, and is currently a designer at the Google Creative Lab.
 

More Places in New York 452

I buy gigantic dry-aged steaks and 1.5-inch pork chops here. The staff is really friendly and helpful.
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The absolute, hands down, no question about it, COOLEST place in New York City. 6th Street Specials. Home to Hugh and Fumi - two of the nicest and most down to earth guys you’ll ever meet that also happen to build, restore and service some of the most sexy, badass and simply gorgeous vintage and custom motorcycles on the planet. Enough said.
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While the current trend in noodles may well be ramen, this bafflingly-named Japanese restaurant just ten minutes from my apartment specialises in udon. Unless you are my friend Diego Zambrano it will probably take you several visits to get through all the things you need to try on the menu - the gyoza are otherworldly, the sushi 'tacos' clever enough without being silly. New York has thousands of awful Japanese places; this is not one of them. It's super nice to come in on a Sunday night and eat at the bar next to curmudgeonly old guys barking at each other in Japanese.
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One of the last untapped areas of downtown Manhattan. Hand pulled noodles, cheap eats, and a concentrated area of families make this an often interesting place to explore.
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Opened in 1985, The Herb Lubalin Study Center of Design and Typography was created in order to preserve an unprecedented resource, Herb Lubalin’s vast collection of work. Its goal was to provide the design community with a means to honor Lubalin, and to study his innovative work. The collection also includes work by other eminent designers including Otl Aicher, Rudi Baur, Anthon Beeke, Lucian Bernhard, Lester Beall, Will Burtin, Lou Dorfsman, Karl Gerstner, Tibor Kalman, Alvin Lustig, The Push Pin Studios, Paul Rand, Bradbury Thompson, Massimo Vignelli, and many more. There is also a library of books and magazines about design and typography, an extensive collection of posters, myriad type specimen books and pamphlets.
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