Freelance illustrator and designer made in Italy, based in NYC.

Independent animation director. Currently working as an animator and illustrator at Buck in NY

As the Chief Creative Officer of Squarespace, David leads the company’s award-winning creative team, whose work encapsulates all brand creative, web design and product design efforts for the company. His personal mission is to build great products and a great brand, while telling compelling stories at the intersection of product, design and marketing. Since joining Squarespace in 2013, David has masterminded four Super Bowl campaigns and won an Emmy award for most Outstanding Commercial of 2017. He has also led the successful launches of Squarespace Logo and Squarespace 7. Prior to Squarespace, David served as Worldwide Digital Executive Creative Director of TBWA Worldwide and led the creation and launch of the Digital Arts Network. Earlier in his career, he worked as a Creative Director at Wieden+Kennedy and AKQA, and as an Art Director at Sid Lee. His work has been recognized by almost every industry award, including the Cannes Lions, ADC, Clios, One Show, D&AD, Webby Awards and SXSW Interactive. David has recently been named as one of the Most Creative People in Business by Fast Company in 2017. He currently serves as an Executive Member of The International Academy of Digital Arts and Sciences and is on the advisory board at D&AD. He is a frequent judge and gives talks for the ADC, One Show, D&AD, AICP, Webby Awards, SXSW and Fast Company. He graduated from RISD with a BFA in graphic design. A native of Quebec, Canada, David now resides in Tribeca with his wife and daughter.

Daniela Spector studied photography in Miami and escaped the heat and Pitbull by fleeing to New York where she honed her skills in photography and set up shop. A curious photographer, her work crosses genres with a satirical and formalistic approach.

Chris Ballantyne’s work focuses on vernacular architecture and observation of the American landscape.  Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd.  Ballantyne states that, “Growing up in a military family and moving to different parts of the country, there was a certain familiarity to the kinds of houses and neighborhoods. They were a series of suburban developments built in separate regions of the country, always on the outskirts of larger cities, at the exit ramps of interstate highways, and all very similar in age and design.  My own notions of space developed out of this cultural landscape which was striving for an indidvidual sense of personal space,  consciously economic, and somewhere between urban and rural.” Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. “Most of my works involve combinations of various places, drawn from memory. As well, my own interests in skateboarding and surfing altered how I saw  the use of these structures ranging from empty pools, sidewalk curbs, to ocean jetties in a way that tied in to my sense of this larger push and pull between culture and nature.” With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity. A curious emptiness permeates the work of Chris Ballantyne. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.