Anna Shelton is a photographer and musician living in Portland, Oregon. Her images veer toward nature and nostalgia, with a surreal bent, and she has yet to photograph with a digital camera. She is currently pursuing certification as a horticulture therapist, and working on a photo/writing collaboration with Miki Johnson for LPV Magazine.

Photographer based in Hamilton, Canada

Matthew Broadhead is a British photographer based in Southwest England. In July 2016, he graduated from the BA (Hons) Photography program at the University of Brighton and has since gained sustained recognition for his ongoing body of work A Space for Humans: The Moon on Earth (formerly titled Heimr). A Space for Humans was featured in the July 2016 edition of The British Journal of Photography, December 2017 issue of Wallpaper*, The Exposed Issue 2 and Fisheye Vol. 1. He has also been selected as a winner for awards from Magnum, Photoworks, and Organ Vida. Broadhead’s practice entails an engagement with photography as a critical medium and explores the conjunctions between different subjects; notably geology, anthropology, history, and mythology. His research in these areas is meant to change how he interacts with subjects in different contexts in addition to his recording methodology. Operating at the intersection between documentary and conceptual art, he creates fictional bodies of work based on factual source material.

Thomas Wiuf Schwartz is a German–Danish Still-life Photographer based in Cologne, Germany. His work, in which passion and devotion are to be found, not only reflect his love of photography, but a visual minimalist imagery of forms, shades, materials and objects. These are skillfully set in scene, played by light and shadow which stands out for his work – the perfect composition of work with materials, structures and surfaces. His potential in graphic design and art direction is reflected in his conceptual approach. The perfection in the imagery, the eye for the unusual can be found in details or their emphasis in the pictures. His dedication is to unfold aesthetics in things, which give the whole strength through small accents, complement his way of work and stands out for his style.

Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.