The „Kirche am Steinhof“  church is located off the beaten tourist path in the 14th district in the Steinhof Psychiatric Hospital (yes, you heard it right). The interior of the church is beautiful and designed to the tiniest detail by the famous Jugendstil architect Otto Wagner. He used new construction techniques and combined them with the necessities of the patients. For example the seating was designed so that there were no sharp edges.  The bus 48A takes you there directly.

The edges of Vienna are striped with forested roads that canopy villas between the trees. One such 'mini palais' belonged to the famous Austrian architect and urban planner, Otto Wagner. To know Vienna, is to recognize the hand of Otto Wagner virtually everywhere in the city. His own self designed family residence would perhaps have been demolished or forgotten had it not been acquired from certain desertion by the artist Ernst Fuchs in 1972. Now pause, and imagine what would happen if a renowned founder of the Viennese school of Fantastic Realism happened to possess such a historical Jugendstil gem; and then decided to outfit it completely with his own imagination, while still maintaining the original visual emotion of the late 19th century. That is The Ernst Fuchs Museum. Even from the street, beneath its' awning of green, the bombastic entrance demands more than a glance. The interior is no less nor different. (The place is so trippy that even my tripped out kids tripped out in the most beautiful way). It's a haze of opulent romanticism married to parasomnia and aesthetic wonder. Simply put, it's a dream.

If you are into Brutalism and would like to see something different in Vienna (apart from Schönbrunn Palace and its historic city centre …) this church is worth the journey. On the basis of a model by Fritz Wotruba, the Austrian sculptor, the church was built from 1974–76. (Photo: Thomas Ledl)

The Palmenhaus is located in the gardens of Schloss Schönbrunn. One hundred and thirteen meters long and 28 meters high, it features a central and two lateral pavilions. Each of the three pavilions has another climate and is filled with botanical treasures from all over the world.

Although in possession of a very convincing white-cube space, Hoast adds flavour to their exhibition program with a generous portion of socially-minded neighbourhood events: be it a flea market as a way for artists to raise money for their proposed projects or a communal election-watching night with chilli con carne and vodka.