We love having ramen here - it’s a beautiful space, feels a bit like being back in NYC, and the food is incredible. There are two locations, the one in De Pijp is bigger, so easier to get a table, but the other location is very cosy, so get there early if you go to that location.
Website
foufow.nl
Address
Fou Fow Ramen van Woustraat, 3 Van Woustraat, Amsterdam, Netherlands
Current city: Amsterdam
Alex Labriola is the founder of Al Stampa, a creative studio that specializes in branding, illustration, and letterpress.
 

More Places in Amsterdam 100

Gorgeous cinema near the Rembrandtsplein. Built in the early 1920s in a very rich architectural style that mixes Jugendstil, the Amsterdam School and Art Deco, the cinema was meant to be a temple for cinematography. The entrance and the main auditorium (Zaal 1) are just simply stunning. It’s been recently restored in its former splendor and is now owned by big distributor Pathé Cinemas. Though a lot of people have been criticizing the fact that a beautiful cinema as this is now exploited by a big commercial chain, I sort of like that fact that also the big blockbusters are usually screened here. It feels like the old days where I imagine you’d simply get overwhelmed by the place and the film and its technique. So my advice is: whatever (crap) plays in Zaal 1, just buy a bag of popcorn, sit back and enjoy.
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View from my studio. I love the view from my studio. It is at the University campus and has a great architectural mix of old and new buildings. It is special to have such a large area in the centre of small Amsterdam where it is quiet, no traffic and no stores. 
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Open Monday mornings and Saturdays all day, there's always something to find at this market.  Lots of vintage items, the most gorgeous florals, and fresh food for making an amazing dinner that night.
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I love how small this place is, but it offers such amazing quality in cheeses, meats, wines, bread etc.  You can also have lunch here.  Definitely worth picking up fresh food here!
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A few years ago I had a conversation with a staff member from Uytenhaak Architects about concealed texts in Amsterdam, relating to my own work ‘stoned forever’, which is integrated in brickwork in the Olympic Quarter. He said that there is a text in Morse code incorporated into the Droogbak (1989), a residential building by Uytenhaak: ‘Deze muur staat er niet’ (‘This wall isn’t here’). It is located close to the railway line. Rudy Uytenhaak later told me that this was his last opportunity to protest against the acoustic fence that had to be constructed for bureaucratic reasons.
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