About Martijn
The work of Amsterdam based visual artist Martijn Sandberg, constantly explores border areas, such as the tension between text and image, legibility and illegibility, the private and the public domain. “I make Image Messages, image is message is image.” The image hides the message. In the cut paintings „Sorry No Image Yet‟ and „Too Busy To Paint‟ there is a subtle play between the language of the image and the significance of the image, and this gives rise to questions. Here, the lack of image seems to be elevated to an image by the artist. The direct relationship between the image, the material bearing the image and the environment is also expressed in his site-specific works in public space and architecture. As in „If These Walls Could Speak‟ that can be viewed in the lifts at the OBA Public Library Amsterdam, and the artwork „I Will Survive’ located at the border of a burial ground in Hardenberg, The Netherlands. In 2010 „My Last Penny‟ by Martijn Sandberg is released as jaarpenning/ art medal 2010, issued by the Vereniging voor Penningkunst/ Dutch Art Medal Society in a multiple edition of 450 pieces.
http://www.msandberg.nl
Current city: Amsterdam
The work of Amsterdam based visual artist Martijn Sandberg, constantly explores border areas, such as the tension between text and image, legibility and illegibility, the private and the public domain. “I make Image Messages, image is message is image.” The image hides the message. In the cut paintings „Sorry No Image Yet‟ and „Too Busy To Paint‟ there is a subtle play between the language of the image and the significance of the image, and this gives rise to questions. Here, the lack of image seems to be elevated to an image by the artist. The direct relationship between the image, the material bearing the image and the environment is also expressed in his site-specific works in public space and architecture. As in „If These Walls Could Speak‟ that can be viewed in the lifts at the OBA Public Library Amsterdam, and the artwork „I Will Survive’ located at the border of a burial ground in Hardenberg, The Netherlands. In 2010 „My Last Penny‟ by Martijn Sandberg is released as jaarpenning/ art medal 2010, issued by the Vereniging voor Penningkunst/ Dutch Art Medal Society in a multiple edition of 450 pieces.
 
The fence around De Nederlandsche Bank on the Frederiksplein is a true optical experience. While passing the building, a rhythmic, dynamic pattern appears and disappears in the trellis of the fence. The figures on the sides of the rails were designed in 1992 by artist Peter Struycken, a pioneer in the area of environmental art and generating computer-program based image, light and colour compositions.
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Under the city, the extraordinary Gesamtkunstwerk by Louis van Gasteren, Jan Sierhuis and others is located in Nieuwmarkt underground. This is one of the public artworks of the Seventies and early Eighties endangered due to station renovation on the Underground Eastline. At present there is a notice hanging at different spots on the wall: ‘‘This artwork has been temporally removed due to renovations”.
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At the Damrak on the daily journey between home and studio, my eye is continually drawn to the emblem that has functioned as a façade ornament on the corner of the Beurs van Berlage for more than a hundred years. In combination with the past function of the building - trade centre - and in relation to the present financial crisis, the timeless maxim gains extra significance: ‘Dis-pe-reert niet’ (‘Do not des-pair’).
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A few years ago I had a conversation with a staff member from Uytenhaak Architects about concealed texts in Amsterdam, relating to my own work ‘stoned forever’, which is integrated in brickwork in the Olympic Quarter. He said that there is a text in Morse code incorporated into the Droogbak (1989), a residential building by Uytenhaak: ‘Deze muur staat er niet’ (‘This wall isn’t here’). It is located close to the railway line. Rudy Uytenhaak later told me that this was his last opportunity to protest against the acoustic fence that had to be constructed for bureaucratic reasons.
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The portal between the Leidseplein nightlife area and the Max Eeuweplein is pompously accentuated by a classical looking façade, designed in 1991 by Zaanen Spanjers Architects. On the frieze, supported by columns, the architect has carved an inscription: ‘Homo sapiens non urinat in ventum’ - ‘A wise man does not piss into the wind’. A ‘wisecrack’, disguised in Latin.
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More People in Amsterdam 105

I’m Jose, a Venezuelan Dreamer, Art director and Photographer based in Amsterdam. Having latin blood with a global soul has helped me to do great work for nice agencies and amazing people in 5 different countries so far. I've worked for brands such as Toyota, PlayStation, Magnum, Pampers, Qatar Airways, and Deutsche Telekom among others. In my photography I explore the everyday life, gender, environmental issues, and sexuality. I’m a crazy curious person, I experienced a lot of things in life from how is the everyday in a circus to being backstage documenting Sex work. I find fascinating people’s behavior always up to meet different characters, and have been doing it all around the globe. I love getting my hands dirty with the craft of ideas in every way, I have a graphic design background, I've been taking photographs for the past 5 years and I'm working in my first short film “THE SHOW MUST GO ON” now.
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Vincent Meertens is an Amsterdam based designer with a passion for both online and printed media. He is particularly enthusiastic about projects that have a positive impact on culture and community.
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On a hazy morning is a unique photography team with a fresh and playful eye for capturing the things we all love. Husband and wife team Andres and Joyce specialize in both commercial and editorial storytelling. Eternally curious, and with a passion for sustainability and green projects, they scour the globe seeking authentic moments and characters to create rich photographic narratives in a cinematic style, with magical light and lots of detail. When home in canal-side Amsterdam, they enjoy nature walks, home-made vegan pizzas, Twin Peaks, their cats and the fine, fine eye candy films of Wes Anderson.
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Fatti Burke is an award winning children's book illustrator from Ireland, currently living in Amsterdam. She has been working as a freelance illustrator since 2013 in the editorial, publishing and advertising fields. Her work revolves around the things she loves – food, home, memes, animals and tradition.  Her first three books that she created with her father, Irelandopedia (2015), Historopedia (2016) and Foclóiropedia (2017), were bestsellers in Ireland. She is currently working on upcoming non-fiction children's books with Penguin Random House, Bloomsbury, Gill Books and Nosy Crow.  Represented by Art Associates Amsterdam
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