It is in the city centre. This former navy area is now partly open for the public. In summer you can swim in the canal there and have a great view on old Amsterdam, the Scheepvaartmuseum and the dead heart centre of Amsterdam. I like it most in winter, silent, grey, a place to mesmorize, walk alone around, meet a local who is walking his dog, than and have a coffee in pension Homeland, the restaurant hotel there. In central Amsterdam the space is rare, and what is there is overrun with tourists and full of local traffic, the trams, a million bikes, cars and pedestrians. That is why I like this place so much, super quiet space in the centre of Amsterdam.
Website
marineterrein.nl
Address
Marineterrein Amsterdam, 5 Kattenburgerstraat, Amsterdam, Netherlands
Current city: Amsterdam
Waste Textiles Artist. Femke van Gemert, 1969 After a career in commercial fashion Femke decided to change the way to create things. Now she designs wall hangings and rugs that are unique, handmade and fully sustainable. By focussing on a single colour she re-uses textiles in abstract works. The beauty of imperfection and deterioration over time are always visible in her creations. The composition she creates radiates a certain mood or longing laden with fragments of the former characteristics of the used textile pieces. In the creation process Femke thinks about certain societal or environmental issues, these are reflected in the titles. In commissioned work clients can donate their own discarded textiles. This improves the personal involvement the owner has with the piece of art. This way Femke wants to revaluate textile waste that is omnipresent in our fast consuming society. The wall hangings improve acoustics and are suitable for homes, offices and public buildings. The love for textiles combined with the urge to explore the possibilities of discarded fabrics form a long lasting source of inspiration and a way to express opinions in Femke van Gemert’s life.
 

More Places in Amsterdam 100

Smack in the middle of tourist district and right on the border of the red light district. My good friend (and super talented photographer Qiu Yang, check it out folks!) is part of the furniture there and because of him, we - his friends - are allowed to order outside of the menu. So none of that westernized mild gruel, but the real spicy tongue-numbing-deal. Before going out to parties, after gallery openings or just when we’re hungry, our bunch always gathers there. Good times!
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I’m not much of a bar-person, but if and when I do go for a drink, I love to come here. It’s simply the best brown café in Amsterdam. A little off the beaten track, in the middle of a residential neighborhood, you’d really have to go out of your way to come here. Nienke, the proprietress is what we call in Dutch “een topwijf ”. With her warm heart and no nonsense attitude she makes you feel right at home, whether you’re a regular and part of the bar’s furniture, or just pop in occasionally, just like myself.
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Store without a home is a guerrilla gallery department store, make sure you check out “Leaf-it” I love these sticky leaves!
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Jenever is a traditional Dutch spirit, sometimes called Dutch gin or wodka in English. Wynand Fockink has a distillery and tasting house right at the very hart of Amsterdam. This place is frequented by locals and tourist alike because of their delicious jenever. Be sure to try a glass of Wynand Fockink Superior. If they empty the bottle while filling your glass you're entitled to a so-called 'Amsterdammertje'; you'll have to drink your glass in one gulp and then you get a free refill.
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Almost every underground station in Amsterdam has a fascinating story behind it. My favourite one is metro station ‘Weesperplein,’ because it has a hidden station underneath the actual station that was meant for the 'Singellijn.' However, that line was never build and the second station remained useless. Besides that the hidden station was also equipped to serve as a shelter during the cold war. The large doors that were meant to hermetically close the building are still visible at both ends of the platform. Other small details, like the panels in the ceiling than can be used as tables when turned around, are also silent references to the building’s former use. 

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