The fence around De Nederlandsche Bank on the Frederiksplein is a true optical experience. While passing the building, a rhythmic, dynamic pattern appears and disappears in the trellis of the fence. The figures on the sides of the rails were designed in 1992 by artist Peter Struycken, a pioneer in the area of environmental art and generating computer-program based image, light and colour compositions.

Replacing a broken kitsch plate with a new kitsch plate in the ever so pretentious Negen Straatjes (Nine Streets).

A tiny record shop that has all the character you'd want.  They also sell produce out front which gives it even more character. 

The Oostvaardersdijk is huge dike that protect the polder of Flevoland from being flooded. It's near the city of Almere that was founded in 1975 on the just recovered land of the Flevopolder. It is a great place to see the skyline of Amsterdam and look out over the Markermeer, the former Zuiderzee. When you turn around you can look down in the polder on an impressive group of modern windmills, in the distance you see the city of Almere. This is Holland at it's core: endless flats with the endless skies you know from Seventeenth century painting. You can drive the Oostvaardersdijk north to Lelystad and cross the lake to Enkhuizen and back to Amsterdam. On the way you drive past Oostvaardersplassen nature reserve, a large area of marshes and wild land in the Flevopolder, where they introduced wild horses and prehistoric cattle.

It's a very small museum in the Hermitage about art made by outsiders. It's also known as 'Art Brut', a name given to it in 1972 by French artist Jean Dubuffet. It simply means that it is art made by people that don't fit in the normal life structure that humans suppose to have. Which can mean that the art is made by people who are in jail, who are ill, have a mental dissability or another way of not fitting into the community. The exhibitions are quite small, so it takes you just around an hour. And the hermitage has a nice canal view.