The fence around De Nederlandsche Bank on the Frederiksplein is a true optical experience. While passing the building, a rhythmic, dynamic pattern appears and disappears in the trellis of the fence. The figures on the sides of the rails were designed in 1992 by artist Peter Struycken, a pioneer in the area of environmental art and generating computer-program based image, light and colour compositions.
The work of Amsterdam based visual artist Martijn Sandberg, constantly explores border areas, such as the tension between text and image, legibility and illegibility, the private and the public domain. “I make Image Messages, image is message is image.” The image hides the message. In the cut paintings „Sorry No Image Yet‟ and „Too Busy To Paint‟ there is a subtle play between the language of the image and the significance of the image, and this gives rise to questions.
Here, the lack of image seems to be elevated to an image by the artist. The direct relationship between the image, the material bearing the image and the environment is also expressed in his site-specific works in public space and architecture. As in „If These Walls Could Speak‟ that can be viewed in the lifts at the OBA Public Library Amsterdam, and the artwork „I Will Survive’ located at the border of a burial ground in Hardenberg, The Netherlands. In 2010 „My Last Penny‟ by Martijn Sandberg is released as jaarpenning/ art medal 2010, issued by the Vereniging voor Penningkunst/ Dutch Art Medal Society in a multiple edition of 450 pieces.
