Unfortunately it’s not in Amsterdam but De Pont, museum of contemporary art is worth the 1,5 hour trip with the train. The building itself is beautiful, it’s a former wool mill but also there collection is worth seeing!
Address
Museum De Pont, Wilhelminapark 1, Amsterdam, Netherlands
Current city: Amsterdam
Popel Coumou lives and works in Amsterdam and studied photography at the Gerrit Rietveld Academy. Her work consists out of analog photographs of collaged spaces that hint at human presence. Through her use of lighting she transforms the collages into 3 dimensional spaces that seem both natural and unhinged.
 

More Places in Amsterdam 100

At the end of tramline 7 and 14 there is a huge bridge on concrete pillars. These pillars are one of the few places in Amsterdam where it’s legal to spray graffiti. My work is very much influenced by graffiti, so I love to come here and see what’s going on. It’s a very dynamic place, so one day it can be awful and the next day amazing but it’s never boring.
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The portal between the Leidseplein nightlife area and the Max Eeuweplein is pompously accentuated by a classical looking façade, designed in 1991 by Zaanen Spanjers Architects. On the frieze, supported by columns, the architect has carved an inscription: ‘Homo sapiens non urinat in ventum’ - ‘A wise man does not piss into the wind’. A ‘wisecrack’, disguised in Latin.
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Just a fantastic spot on the edge of the city. Its connection of the Amsterdam-Rijn Canal to the IJ, Amsterdam’s big open water, that was once part of the North Sea, but now dammed in by the Dutch. Sometimes it’s just a relief to leave the prettiness and the cuteness of the Amsterdam canals behind and experience some space. Few people come out here and in summertime it’s just a delightful spot to have a picnic and watch the boats come in.
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This image I had discovered on a regular visit to the Huis van Marseille. Photographers typically gravitate towards Fotografie Museum Amsterdam (FOAM), but the House from Marseille always has gems.
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At the Damrak on the daily journey between home and studio, my eye is continually drawn to the emblem that has functioned as a façade ornament on the corner of the Beurs van Berlage for more than a hundred years. In combination with the past function of the building - trade centre - and in relation to the present financial crisis, the timeless maxim gains extra significance: ‘Dis-pe-reert niet’ (‘Do not des-pair’).
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