To get out of the hustle of the city, my husband and I love to bike down to Amsterdam's Forest to see the goat farm, or picnic in the sun.  There are also little spots to swim :)

View from my studio. I love the view from my studio. It is at the University campus and has a great architectural mix of old and new buildings. It is special to have such a large area in the centre of small Amsterdam where it is quiet, no traffic and no stores. 

The fence around De Nederlandsche Bank on the Frederiksplein is a true optical experience. While passing the building, a rhythmic, dynamic pattern appears and disappears in the trellis of the fence. The figures on the sides of the rails were designed in 1992 by artist Peter Struycken, a pioneer in the area of environmental art and generating computer-program based image, light and colour compositions.

Unfortunately it’s not in Amsterdam but De Pont, museum of contemporary art is worth the 1,5 hour trip with the train. The building itself is beautiful, it’s a former wool mill but also there collection is worth seeing!

A few years ago I had a conversation with a staff member from Uytenhaak Architects about concealed texts in Amsterdam, relating to my own work ‘stoned forever’, which is integrated in brickwork in the Olympic Quarter. He said that there is a text in Morse code incorporated into the Droogbak (1989), a residential building by Uytenhaak: ‘Deze muur staat er niet’ (‘This wall isn’t here’). It is located close to the railway line. Rudy Uytenhaak later told me that this was his last opportunity to protest against the acoustic fence that had to be constructed for bureaucratic reasons.