About Su
Teguh Hartanto and Su Tomesen are visual artists based in Jogjakarta. Teguh’s mainly works with the media painting and screen printing but he also does street art with graffiti and stencil. He works spontaneously; the outcome is unpredictable and surprising. For him, the process is more important than the result. Su’s work consists of videos, photographs and installations, and she travels a lot. Working in the context of a residence abroad or on location is a means of putting her (European) position, ideas and being into discussion. She has been artist-in-residence in Belgrade, Amman and Johannesburg, and worked for an international video art project in Port-au-Prince, Buenos Aires and Rio de Janeiro.
http://www.sutomesen.nl
Current city: Jogjakarta
Teguh Hartanto and Su Tomesen are visual artists based in Jogjakarta. Teguh’s mainly works with the media painting and screen printing but he also does street art with graffiti and stencil. He works spontaneously; the outcome is unpredictable and surprising. For him, the process is more important than the result. Su’s work consists of videos, photographs and installations, and she travels a lot. Working in the context of a residence abroad or on location is a means of putting her (European) position, ideas and being into discussion. She has been artist-in-residence in Belgrade, Amman and Johannesburg, and worked for an international video art project in Port-au-Prince, Buenos Aires and Rio de Janeiro.
 
The alun-alun is a large public grass court in the Kraton area central Jogjakarta. Every day from 6 PM the evening starts the enlightened bikes or tandems are for next to nothing. The alun-alun in the night is a festival of lights and innocent recreation.
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You can find anything at Pasar Klitikan! There are wo of these second or third hand;-) markets: one just north of Jogjakarta National Museum (JNM) on Jalan Hos Cokroaminoto and one south of the South Ring Road towards Bantul. Especially at night it is very busy. The second floor of Pasar Klitkan in town dedicated to mobile phones.
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The street vendors in Jogja, the "bakul" draw attention by the sounds they produce: every kind of food is announced by the sound of an object. A sound of a spoon on a plate is "rujak" (fruit), a cow bell is "satay", a spoon on a bowl of noodles is "bakso ayam". The sound of boiling water "putu" (coconut cake) and a cart with a loud speaker with LOUD "dangdut" music is "getuk" (cassava cakes). The latter is indicative of a trend: traditional sounds are gradually taken over by electronically amplified sounds.
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Angkringan are covered food stalls on the streets and the amount increased after the crisis in 1998. Angkringan are successful because the food and drinks are very cheap. The menu offers a variety from nasi kucing (''rice for cat'': a small portion), chicken head and feet to a drink of blood from small birds mixed with honey. Characteristic of angkringan is that there are always three large kettles on the fire.
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The motorbike is thé means of transportation in Jogja. With a car it takes you a lot more time to reach your destination. It is an Indonesian habit to NOT take off the helmet when going into a store or get food at a "warung makan". Yet there is a cycling culture as well in Jogja, there are several groups of (wealthy) youngsters who use a bicycle for leisure. In fashion is the "fixie". Sit on a bench at Jalan Malioboro at night and you will see them paddle past.
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More Visual Artists

Misha de Ridder (1971, Alkmaar, The Netherlands) lives in Amsterdam, The Netherlands. To search, to disclose and to write with light is what Misha de Ridder does in his landscape photos and videos. He does not seek the comfort zone of the beautiful and picturesque, but of the sublime. De Ridder exhibited at Juliètte Jongma Gallery, Layr Wuestenhagen Contemporary, PhotoEspaña, the Triennial of Photography Hamburg, Stedelijk Museum Amsterdam, FOAM and The Museum of the City of New York. Photobooks by Misha de Ridder are Sightseeing (2000, De Balie), Wilderness (2003, Artimo), Dune (2011, Lay Flat), Abendsonne (2011, Schaden.com), Falaise (2016, Roma Publications).
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Angharad Hengyu Owen loves language – the significance and insignificance of meaning. Endlessly intrigued by the idea of an intrinsic layer of storytelling through typography: The process of a visual interpretation to create an honest emotional imprint. This growing focus was seeded by a multicultural upbringing and a fascination for multilingual semantics, as well as a genuine curiosity towards human nature.
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Ben Thomas is a photographer and visual artist born in Adelaide, based in Victoria, Australia. Ben's work has centered around the cities and urban spaces that we live in. His "Cityshrinker" series (2007) was internationally acclaimed and considered to be one of the pioneering projects exploring the now popular tilt-shift technique. Ben's study of urban spaces continued with "Accession" (2012) utilising mirror and kaleidoscopic techniques to highlight how repeating patterns and objects act as the basis of our our urban surroundings. Most recently Ben has developed his latest series "Chroma" (2015) and "Chroma II (2016), a further deconstruction of cities and urban areas with a primary focus of the use of colour and flatness that poses questions of how society defines the places in which we live. Ben is a Hasselblad Master 2018 and has recently completed campaigns/assignments for The New Yorker Magazine, Sony, Cake, Singapore Airlines, Penguin Books and Chronicle Books.
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Camille Lévêque (1985) is a freelance photographer born and raised in Paris, France. She graduated from university in Paris with a degree in Fine Arts and Literature. Along those years she taught herself photography as well as the technicalities of a dark chamber. After graduating, she traveled worldwide for several years and documented her travels in black and white with analog equipment. From 2007 to 2008 she lived in Armenia, where she was commissioned by the French Embassy and the UNHCR to assemble a year-long reportage on post Karabagh war refugees situation in Armenia. Back in Paris she was then an intern for the agency Tendance Floue, and studio assistant for food industry shoots. In 2010 she started working as an Editorial Assistant for MAGNUM PHOTOS in Paris, to eventually move back to the US in 2011 in order to focus on personal projects. Her works have been featured on various publications, online and in print, and have been exhibited in the US and in Europe. She is founder and member of LIVE WILD collective and the co-founder of publishing house ORPHEUS STANDING ALONE.
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