Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.

Lilly Markaki (also appearing as Lilly Marks) is a cultural theorist, events programmer and radio (g)host living in London.

Hattie Newman makes sets and images that live in advertisements, magazines, galleries, websites, books and many other places around the world. Hattie’s studio is a place where sketches and ideas quickly outgrow their pages and leap to life.

Before moving to London, Fortuny worked in New York City, Milan, and Los Angeles as a writer and editor. She has contributed to magazines such as Flaunt, Dazed & Confused, Exit, Metal, and Vice. Fortuny is currently the Features Editor at Exit magazine. She loves design, languages, and studying art movements.

Lynnie’s style is a distinctive one, where a bold bright colour palate is used to great effect in the playful charismatic characters she creates. The development of these characters is the driving force of her work; producing mysterious, seductive creatures and powerful femme fatales. Women are mostly the subject of her pieces ­which she brings to life using ink, paint and paint pens. By working spontaneously the personalities evolve naturally into striking and engaging images which both shock and amuse, but always stimulate the eye.