I go to the Heath every weekend (often via the wonderful Waterlow Park which skirts Highgate Cemetery) and during the week too if I’m working from home; it helps to put things in perspective when I’m thinking about my work. It’s great in the summer for obvious reasons but I love it the most in autumn and on those rare days it snows so much London grinds to a halt (which doesn’t take much). Everyone heads up there to make giant snowballs/cats/creatures and surf down Parliament Hill on anything they can get their hands on. Grown ups turn into kids for the day. My husband and I made this snow yeti last year, it was sad to leave him behind but he soon made friends and even made it into the Camden New Journal.

There's something about this street, probably the fact that it's pedestrianised, that makes it feel like holidays. It also has a solid range of bars (Cafe Kick), restaurants (Berber & Q) and cafes (Brill) so is a good option for all times of the day. They have a quality variety of street food vendors operatin during the day, and fairy lights help it to come alive at night

If you like cocktails and pink neon lights, Tonight’s Josephine is definetly a perfect spot to spend your night! 

It might sound rather odd to suggest going to a cemetery, but this has to be one of my new favourite places to visit. Getting lost down one of the narrow paths certainly doesn’t make you feel like you’re in London anymore which can be refreshing. Another interesting fact about this place is that the late Amy Winehouse shot her music video for ‘Back to Black’ here.

When I first took up photography I knew it was something I wanted to do but was unsure of what I wanted to take photos off. I started out by mainly photographing London's graffiti and street art. Graffiti isn’t tolerated in London as much as in other cities (such as Berlin or Lisbon) but it has a long history in the capital and if you know where to look there's a lot of it around. Some of the best street artists and graffiti writers in the world either live in or travel to London to use it as a canvas. It's not something I photograph so much anymore but I still admire those who do it. The risks involved and their dedication are truly remarkable. I always wish I had the balls and the talent to try it myself.