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About Claire
I am an illustrator, living in Essex with my partner and our one year old son. I studied Drawing at Camberwell College of Art, graduating in 2006. After college I continued to live and work in London for several years. I still regularly visit to shop, see friends and exhibitions. London will forever be an important part of who I am.  
http://cargocollective.com/clairesoftley
Current city: London
I am an illustrator, living in Essex with my partner and our one year old son. I studied Drawing at Camberwell College of Art, graduating in 2006. After college I continued to live and work in London for several years. I still regularly visit to shop, see friends and exhibitions. London will forever be an important part of who I am.  
 
I worked at the Barbican for several years and during that time became very fond of its architecture. One of my favourite spaces within the centre is the conservatory, a giant tropical garden in the middle of a concrete city.
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The best thing about any charity shop is that you never know what you are going to find. I have a well tested route around London that includes all of my favourite charity shops. This Oxfam has a great selection of books and often turns up some interesting clothes too.
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I spent a lot of time in the British Museum whilst studying for my Degree. My work has changed considerably since then but it is still a place I return to again and again. Inspiration doesn't always come from objects in the collection but also from the space and its visitors.
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I am definitely not precious about the materials I use to make my work, but every so often I find myself in need of something more specialised. L.Cornelissen & Son is a beautiful and well stocked art supply shop with extremely knowledgable staff.
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More People in London 509

Artists, ethnographer, designer, photographer, strategist
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A creative director running a film production company based in London. Passionate about travel, food, food, art and design and some more food.
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Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.
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I'm from Cornwall. Anyone who knows me knows that I rant on about Cornwall. The longer I stay away from Cornwall (in London) the more I seem to rant about it. But I still like to go back as often as possible to do crazy stuff like cast metal furniture on the beach or carve chairs out of Cornish granite in the various quarries dotted around the countryside. Otherwise you will find me in my studio in deepest darkest Tottenham whittling a lump of material into a spoon or chair.
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