About Claire
I am an illustrator, living in Essex with my partner and our one year old son. I studied Drawing at Camberwell College of Art, graduating in 2006. After college I continued to live and work in London for several years. I still regularly visit to shop, see friends and exhibitions. London will forever be an important part of who I am.  
http://cargocollective.com/clairesoftley
Current city: London
I am an illustrator, living in Essex with my partner and our one year old son. I studied Drawing at Camberwell College of Art, graduating in 2006. After college I continued to live and work in London for several years. I still regularly visit to shop, see friends and exhibitions. London will forever be an important part of who I am.  
 
I worked at the Barbican for several years and during that time became very fond of its architecture. One of my favourite spaces within the centre is the conservatory, a giant tropical garden in the middle of a concrete city.
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The best thing about any charity shop is that you never know what you are going to find. I have a well tested route around London that includes all of my favourite charity shops. This Oxfam has a great selection of books and often turns up some interesting clothes too.
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I spent a lot of time in the British Museum whilst studying for my Degree. My work has changed considerably since then but it is still a place I return to again and again. Inspiration doesn't always come from objects in the collection but also from the space and its visitors.
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I am definitely not precious about the materials I use to make my work, but every so often I find myself in need of something more specialised. L.Cornelissen & Son is a beautiful and well stocked art supply shop with extremely knowledgable staff.
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More People in London 511

Brazilian Graphic Artist based in London
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Joseph Piper moved to London to study Graphic Design at Central Saint Martins in 2003. Based in the city, he is a creative with a personal interest in photography and commercial aspirations in branding and e-commerce. Joseph Piper has a soft spot for pugs, Fender guitars & Danish foxes.
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Attilia Fattori Franchini is an independent curator and writer based in London. She is co-founder of the online platforms bubblebyte.org and Opening Times and contributes critical essays and reviews to publication such as CURA., Kaleidoscope and Flash Art International. Between 2013 and 2014 she has initiated and curated The Basement a programme in London dedicated to young, unrepresented artists. Attilia is currently working on the second edition of Curva Blu, a residency project in Favignana, Sicily; she is co-curator of ARS17+ the online extension of the exhibition ARS17 currently at Kiasma, Museum of Contemporary Art, Helsinki. Attilia is is also curating BMW Open Work, a new programme of commissions to be launched at Frieze London 2017 and the Emergent section of miart 2018. Recent projects include: Meshes of the Afternoon, Roman Road, London, June, 2017; Céu Torto, Boatos Fine Arts, São Paulo, BR, February 2017; Dawning, Capitán Gallo, Mexico City, MX, February 2017; Morning uber, evening oscillators, Seventeen, London, November 2016; Lonesome Wife, Seventeen, London, October 2016; Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo, 2016, Oa4s, Temra and David in 4 parts, Sorbus, Helsinki, 2016; Yves Scherer, Snow White and The Huntsman, Mexico City, 2016; Basic Instinct, Seventeen, London, 2015; Guest Curator, Kuvat Academy of Fine Arts, Helsinki, 2015; Bold Tendencies 2015, London.
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I am a Swedish artist based in London. My work concern interest in restraint related to the body and cultural structures. Ideas of obstruction aim to question how forms and bodies adapt to change, environment and ideals.  I am interested in how a person is shaped by the spaces they have occupied and how a person occupies their own psychological space. With a background in dance, interests in the body and spatiality continue to influence my ideas with focus on balance and repetition. The physical relationship to images are essential in my process of making and the photograph as a performative document explore elements of gesture. There are slippages between image, object and subject. I work mainly with the analogue photographic process and sculpture in relation to the image and performance. I enjoy working physically with materials whether they are photographic prints, sculpture or my own physical body as a medium. 
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