Illustrator/author  of Let's Make Some Great Art series of books for Laurence King. Bob the Artist and COLOUR by Particular Books (Penguin UK) 

A London based, Director + DJ/Radio Host Loves; Exploring and the sunshine, beaches, SUP and surfing, boats, trains & automobiles. Hates; being in one place too long and the cold.

Founder and Managing Partner of Carrie Scott & Partners, Carrie Scott has been a curator, Art Historian and arts writer since 2004. She has developed Modern and Contemporary collections in Europe and the United States, working with numerous businesses, executives and collectors to help them establish, manage, and maintain both corporate and personal art collections. Since early 2010, Scott has also worked side-by-side with visionary fashion photographer Nick Knight to curate his archive as well as curate exhibitions at the SHOWstudio Shop, a gallery that exhibited high profile contemporary artists like Douglas Gordon, Raymond Pettibon, Keith Tyson, Terrence Ko, and Anj Smith, alongside the work of dynamic younger artists like Tim A. Shaw, Courtney Andrews, Charlotte Kingsnorth, and Walter & Zoniel.   The SHOWstudio gallery is now globally recognised as having been a pioneering, ground-breaking platform that nurtured and encouraged creativity by combining the different art forms together in one space.  Before starting Carrie Scott & Partners in 2009, Scott was Director of Nicole Klagsburn Gallery, New York, where she worked closely with artists such as Beth Campbell, Matthew Day Jackson, Rashid Johnson, Mika Rottenberg, Adam McEwen, and Storm Tharp. Prior to that, she was noted curator of the Hedreen Gallery at Seattle University's Lee Center, and Director of the James Harris Gallery also in Seattle, Washington. In 2017, Scott appeared as a presenter on The Art Show, an entirely new art series that richly captures the artists of our lifetime that have inspired collectors and art lovers alike.

Designer at Made Thought

Misha Milovanovich is a Belgrade-born artist living and working in London. Misha works across several mediums, from sculpture to painting and live art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha's visual work fuses a diverse repertoire of images and forms. She often features discarded shards of consumerism - unloved icons of disposability and careless consumption.   Misha's work is often a symphonic  abstraction. Her colourful, densely layered works are held in a state of tension between order and chaos, rational structure and spontaneity. She combines depth and surface relief, orchestrating bold contrasts of form, texture and space in her pictures. An intimate colour palette of bodily fluids - red, pink, white, black, yellow and brown - animate the writhing forms and the refracted memories of cartoonish cultural production.   A cultural polymath, Misha is constantly engaged in observing society and it’s distortions of desire, lust and attitudes to the body. Traditional techniques have been studied and absorbed and although her work is partly conceptual, it's execution always reflects these hard won technical abilities. Misha's main subject matter is emotion, so naturally her work is highly personal and biographical in ways that create a direct, emotional response from the viewer. Empathy and the universals of human experience - passion, nostalgia, desire and disgust are inescapable in her work.   Misha is herself a ‘displaced’ person, having left Serbia for London in her late teens she still carries within her a ‘stranger’s perspective’ and perceives the world as an outsider, someone ever alert to the non-verbal subtleties of communication.   Misha's artistic progenitors include her mentor Martin Kippenberger, Wassily Kandinsky  and Phillip Guston as well as contemporary artists Gilbert and George, Keith Tyson, Robert Pruitt and Jim Lambie.