A beautiful, neon-fronted, old school, single-screen cinema on Upper St. That anyone would choose to go to the Vue just up the road is baffling

I walk a lot; the best way to experience a city. So it's sometimes to do with the way places join up. This cast concrete letterform is a part of the Lycée's gateway. Each of the form's facets arrives at a different character, so six possible letters come from each cast object. I've never been inside the Lycée but always walked through this way up to the V&A, in order to examine again and again how each form works. The surfaces set the tone for the V&A and its incredible Ceramics floor, a perennial inspiration.

A wonderful collection of printed material organised chronologically throughout the space. Examples of old newspapers and other printed material give context and meaning for the visual styles.

The Roundhouse was built as a steam-engine repair shed in 1846, and then became a warehouse before falling into disuse for 25 years and reopening as a performing arts venue in 1964 hosting acts like Jimi Hendrix, The Doors and Pink Floyd. It was redeveloped between 2004-2006 and is one of my favourite music venues in London; it’s a beautiful building, has a great sound and isn’t too huge so feels fairly intimate. Some highlights for me this year were The Flaming Lips, David Byrne & St.Vincent and the Timepiece installation by Conrad Shawcross.

Ever since visiting the exhibition space, a few years ago, I don’t think I have ever missed one single show. It is one of the best exhibition spaces for contemporary art in London, in my opinion. The scale and the light feel right. The environment is not too overwhelming and not too small. In addition, the bookshop has a good selection of catalogues, art books and magazines.