About Marine
I have been working in the art world for the past eight years. An advocate for artists since a young age, I managed my first art gallery in Los Angeles at age 23 and finally created my current business, MTArt Agency, to promote the artists she believed in across the globe. MTArt is the first artist agency in the world, the agency specialises in talent management: building, growing and accelerating careers while financing the studio costs of its artists. 
http://www.mtart.agency
Current city: London
I have been working in the art world for the past eight years. An advocate for artists since a young age, I managed my first art gallery in Los Angeles at age 23 and finally created my current business, MTArt Agency, to promote the artists she believed in across the globe. MTArt is the first artist agency in the world, the agency specialises in talent management: building, growing and accelerating careers while financing the studio costs of its artists. 
 
At first a memory of an old relationship, it quickly became my favourite market. Major highlight for the gin tasting with rosemary on a sunny Sunday afternoon. 
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I love the architecture of the Barbican - it is so important to its historical context, at a time when London was being shaped for modernity after the war - they also aspired to make it a bold art centre. We need bold, always. 
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Where 1984 of George Orwell got its inspiration from, the craziness of a real ministry of propaganda. 
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To understand our 20th century
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Favourite walk at night, especially in the summer.  Quite dramatic, very romantic. 
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My favourite library when I was a student, I still love to wander and look up to its Renaissance sculptures. 
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Brought up in the Cotswolds, Oliver began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. His first solo exhibition entitled Volte-face will premier at London's Royal Geographical Society in September 2016. Taken over a period of four years, Volte-face is a series of images taken at the world’s most photographed historic sites, buildings and monuments - but looking away from them. To coincide with the exhibition at the RGS a book of the project, featuring an essay by Geoff Dyer, will be published by Dewi Lewis Publishing Ltd. Oliver continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He cites as key influences William Eggleston, Saul Leiter and Andre Kertesz. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner’s The Wedding Date, Frank Oz’s Death At A Funeral and Joanna Hogg’s Unrelated as well as experimental gallery-based installations such as Gideon Koppel’s Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L’Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury’s.
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New talent, Everpress.
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