One or two screenings a day, a few days a week; less is more at Close Up. The library is a great resource too, for work or pleasure.
Website
closeupfilmcentre.com
Address
Close-Up Cinema, 97 Sclater Street, London, United Kingdom
Current city: London
Other cities: Paris
Reeme Idris is a freelance features writer based in London, often in Paris.
 

More Places in London 471

Just above the Dorfman Theatre lobby at the National Theatre, is the entrance to the high-level walkway, a public walkway that overlooks the National Theatre props and scenic workshop. It's free and is a unique chance to get a glimpse of what happens backstage. I love popping in when I'm on the south bank, as you get a completely different sight each time, depending on which production the workshops are working on at the time.
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Untitled Bar is modelled on Andy Warhol’s Factory. It is sterile and minimal setting but as more bodies join, things soon warm up.
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This is a completely unexpected scenario in the heart of Shoreditch. The entrance is seamless, a standard corner-shop-type with a narrow door, leading downstairs to a peculiar setting in the basement. The drinks are carefully selected and mixed. There is always something to experiment that doesn’t disappoint.
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There are many quirky book stores in London, but I really love the selection that Daunt Books have, they often have bespoke editions which you won't find in other book stores. Also, the people that work there are so helpful and knowledgable. I can never stop myself from walking in!
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When I first took up photography I knew it was something I wanted to do but was unsure of what I wanted to take photos off. I started out by mainly photographing London's graffiti and street art. Graffiti isn’t tolerated in London as much as in other cities (such as Berlin or Lisbon) but it has a long history in the capital and if you know where to look there's a lot of it around. Some of the best street artists and graffiti writers in the world either live in or travel to London to use it as a canvas. It's not something I photograph so much anymore but I still admire those who do it. The risks involved and their dedication are truly remarkable. I always wish I had the balls and the talent to try it myself.
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